News from the Division of Languages and Literature

Adhaar Noor Desai, associate professor of English at Bard College, has been announced as a recipient of the Modern Language Association (MLA) Prize for First Book for Blotted Lines: Early Modern English Literature and the Poetics of Discomposition, published by Cornell University Press. The MLA Prize for a First Book was established in 1993 and is awarded annually for the first book-length publication by a member of the association that is a literary or linguistic study, a critical edition of an important work, or a critical biography. “In addition to its masterful and original treatment of English Renaissance poetry, Blotted Lines engages expertly with modern approaches in writing studies, offering a unique combination of two fields that Desai shows to be surprisingly complementary,” the MLA committee writes about Desai’s book. “This beautifully written, tremendously researched book raises important questions and offers a timely and thoughtful celebration of the art of composition (and discomposition).”

Jessica Zoll ’26, a Bard College student majoring in literature, has received a scholarship from Fund for Education Abroad (FEA) for the spring 2025 semester. Zoll is one of 71 undergraduates from around the country selected by 92 volunteer reviewers, and with FEA’s Education in Ireland Access Partner Scholarship, she will attend University College Cork in Ireland.

“As a first-generation college student and American, I never imagined that studying abroad or earning a scholarship to cover my entire €7,400 tuition would be within reach, but that changed when I came to Bard,” said Zoll. “My support system here is incredible, and it's through this community that I’ve been introduced to opportunities that align not only with my academic goals, but also with my personal interests. I study Victorian literature, but didn't think studying in a place so rich in 19th-century history was feasible. Through the Fund for Education Abroad's Inclusive Ireland Access Partner Scholarship, I’ve been awarded the chance to study at University College Cork—the city is steeped in Victorian history, and the courses are too! I feel incredibly fortunate and excited for this next step in my academic journey. This really feels like a win for not just me, but for my entire family.”

The Fund for Education Abroad provides scholarships and ongoing support to students with financial need who are underrepresented among the US study-abroad population. Of the 71 scholars awarded this application cycle, 93% identify as students of color; 28% identify as LGBTQ+; 23% identify as male, 70% as female, and 7% as genderfluid or nonbinary. Characteristic of FEA scholars, 94% are first-generation college students, 30% are current or former community college students, and 37% have never left the United States. Currently studying in universities and colleges in 27 states, the new FEA Scholars will attend programs in over 25 countries across five continents.

Since its inception in 2010, FEA has awarded over $3.7 million in scholarships to 1186 undergraduates, and supports students before, during, and after their study abroad experience with scholarships and programming.

“We are honored to have the support of so many who are striving to make study abroad more accessible,” said FEA Program Manager Joelle Leinbach. “As we look ahead to 2025, FEA will continue to put access and equity first as we consider further improvements to our application process and expand our ranks of volunteer reviewers.”

Marina van Zuylen, professor of French and comparative literature at Bard, appeared in a session hosted by the Teagle Foundation as part of a workshop series on methods to strengthen general education. Van Zuylen speaks about how she has taught Charles Baudelaire’s “The Bad Glazier” throughout the years, and how those teaching approaches have shifted as the needs of her students have changed over the past 20 years. “This is a wonderful text because it introduces us to so many questions,” said van Zuylen. “For me this text was a perfect example of art as an escape… It’s an escape because, it’s also a text about maybe the quality of desire, the quality of when we act for reasons that we don’t ourselves understand and this is something that is so exciting about literature. Only in literature, maybe, can we get this sense that characters act in a way that is forbidden in real life.”

Six Bard College faculty members have been named as recipients of grants from the New York State Council on the Arts (NYSCA) for 2025. NYSCA Support for Organizations grants were awarded to Erika Switzer, assistant professor of music and director of the Postgraduate Collaborative Piano Fellowship at Bard, Lucy Fitz Gibbon, visiting faculty in vocal arts at the Bard College Conservatory of Music, Sarah Hennies, visiting assistant professor of music, and Suzanne Kite, distinguished artist in residence, assistant professor of American and Indigenous Studies and director of the Wihanble S’a Center for Indigenous AI at Bard.  Additionally, Bard College received a Support for Organizations Award for 2025 in the amount of $40,000. NYSCA Support for Artist grants were awarded to DN Bashir, assistant professor of theater and performance at Bard, and Ann Lauterbach, professor of languages and literature.The NYSCA grants are intended to increase access to arts funding and recognize the substantial economic and social impact of New York state’s arts and culture sector. 

Erika Switzer and Lucy Fitz Gibbon will receive a grant in support of operational expenses and projects at Sparks & Wiry Cries, an organization, cofounded by Switzer and where Fitz Gibbon serves as managing editor, that curates opportunities for art song creators, performers, and scholars with innovative initiatives. These projects will include the upcoming Brooklyn premieres of Meltdown, a dramatic work for mezzo and piano trio which engages the layered stories and science of climate change through the lens of a female glaciologist, and Skymother, which weaves together the family history of composer Timothy Long (Choctaw, Muscogee Creek) with the Haudenosaunee creation story, Sky Woman.

Sarah Hennies, along with her duo partner, Tristan Kasten-Krause, a bassist and composer, will receive the grant for their new work Saccades for double bass and percussion at the Wassaic Project, an artist-run nonprofit contemporary art gallery, artist residency, and art education center. The piece is to be performed in total darkness with a single candle flame.

Suzanne Kite will receive a grant for the proposed project, Owáǧo Uŋkíhaŋblapi (We Dream a Score), her first full orchestral work for her organizational partner, the American Composers Orchestra (ACO). The piece continues Kite’s exploration of individual, collective, and societal dreaming practices, using an Indigenous AI framework. NYSCA funding supports the development of an AI app in collaboration with the Brooklyn-based design firm School. Members of the ACO and the public will submit their dreams to the app, which transforms language into Lakȟóta Visual Language symbols. 

DN Bashir’s Hollow House, sponsored by JACK Arts Incorporated, follows a group of New York residents meeting at a farm-to-table restaurant in an old house in the Hudson Valley. Inspired by Chekhov’s The Cherry Orchard, it explores unspoken power dynamics and “the systems that hold us captive.” 
 
Ann Lauterbach will be awarded a grant in support of her project called “The Meanwhile: Linear Ruptures and Simultaneous Narratives,” which will have a performance and possible exhibition at the Flowchart Foundation. 

 

Adam Shatz, visiting professor of the humanities at Bard College, has been named the recipient of the 2024 American Library in Paris Book Award for his book The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon, a biography about the activist whose writings about race, revolution, and the psychology of power have shaped radical movements across the world. Now in its 12th year, the American Library in Paris award honors a title that best realizes new and intellectually significant ideas about France, the French people, or encounters with French culture. “The personal story Shatz brings to life is remarkable but the book’s real accomplishment is to illuminate the development of Fanon’s ideology, political, intellectual and profoundly personal, even emotional,” the jury wrote of the book. “Shatz has given us a Fanon for all thinkers and readers, captured with freshness and clarity and vitality—a Fanon for our present moment.”

Asher B. Edelman Professor of Literature Joseph Luzzi’s translation of Dante’s Vita Nuova was reviewed by Steve Donoghue for the Open Letters Review. The new translation was published on December 3 by W.W. Norton’s imprint Liveright. Donoghue’s short review focuses on how Luzzi adapts Dante’s sometimes mystifying prose work. Donoghue notes that translators of the Vita Nuova have been surprised and “slightly taunted” by the work, and that “Luzzi aims for clarity without slavish stylistic imitation, [likening] his translation process to laying a transparent film over Dante’s text.” Luzzi’s “leaner” translation, he writes, is one reason readers can appreciate his updated, more modern version.

Luzzi has taught at Bard since 2002, and his previous book Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance was named one of the New Yorker’s Best Books of 2022.

Bard College faculty, staff, and students gathered at Blithewood Manor for this year's Annual Scholarship Reception on Monday, November 11. This annual event honors students who have excelled in their studies and contributed to academic and campus life. The evening’s awardees, who were nominated by faculty from across the four divisions of the College, represent excellence in the arts; social studies; languages and literature; and science, mathematics, and computing. 

“We are pleased to recognize this year’s Bard Scholars, who represent the very best of what we are and what we do,” said Associate Vice President for Academic Affairs and Dean of Studies David Shein. “These students, who were selected by their faculty and deans in recognition of their contributions in the classroom and to the campus community, have demonstrated not only excellence in their work but deep care and commitment to that work and to the life of the College.  We are proud of them and look forward to seeing what they will do next.”

Many of the named scholarships are made possible by generous contributions from Bard donors. Thank you to all supporters for believing in the value of a college education, and for investing in the future of Bard students.

Further reading:
Learn More about Postgraduate Scholarships and Fellowships through Bard's Dean of Studies Office
Learn More about Scholarships, Prizes, and Awards at Bard

Peter L’Official, associate professor of literature and director of the American and Indigenous Studies Program, has published “Black Builders,” an article exploring the relationship between both writing and architecture, and race and design, for Places Journal. In examining the works of visionary Black architect and urban planner W. Joseph Black (1961–1977), who tragically died of cancer at age 43, novelist Colson Whitehead, and other scholars and writers, L’Official asks: “What do we learn about visions of cities when we consider writing and architecture as mutually defining?” L’Official delves deeply into Black’s archives and grapples with his brilliant unfinished masterpieces including the ambitious Harlem Music Center and Gateway to Harlem complex, as well as two comprehensive volumes Visions of Harlem, intended as an exhibition and catalogue, and Black Builders of America, a compendium focused on the many known and unknown Black builders dating back from 1619 to the contemporary. Inspired by the career and legacy of W. Joseph Black, L’Official proposes a notion: “writing about architecture is also a method of practicing architecture—that is, by thinking it.” In contemplating “how many works by Black architects, planners, builders, and other dreamers lie dormant, still, in archives, or tossed by the wayside in frustration, never to be lauded as great works of even speculative imagination?” L’Official asserts “We should also expand our notions of who and what Black builders and Black building can be—and, indeed, of what it means to ‘build’ in the first place.”

L’Official’s “Black Builders” is the first essay in An Unfinished Atlas, a series funded by the Mellon Foundation and published by Places Journal that brings together scholars, cultural critics, essayists, and novelists of color to enrich the cultural record of place-based narratives across what is now called North America.

The Russian Independent Media Archive (RIMA), developed in partnership with PEN America and Bard College, was covered in Nieman Reports. RIMA, launched by Masha Gessen with the support of Edwin Barbey Charitable Trust, advised by PEN America trustee Peter Barbey, aims to digitally preserve decades of independent Russian journalism that is otherwise at risk of erasure. “Unlike most libraries, where archives are often stowed silently away until a researcher comes knocking, RIMA’s staff and partners proactively promote its use,” writes Ann Cooper for Nieman Reports. “Bard offers small grants to faculty who use RIMA in developing courses focused on media literacy and authoritarian challenges to independent journalism, and there are stipends for graduate students whose theses incorporate the archive’s material in their research.” Additionally, RIMA’s creators are intending the archive to be a template for other journalists facing censorship and oppression. “We don’t want history erased, as it’s been before in Russia,” said Jonathan Becker, executive vice president, vice president for academic affairs, and director of the Center for Civic Engagement at Bard College. “Unfortunately, with this growth of authoritarianism, [Russia] is not the only place where you’ll need to preserve independent media in a viable way.”

Author Maya Binyam has received the Bard Fiction Prize for her first novel, Hangman (Farrar, Straus and Giroux, 2023). Binyam’s residency at Bard College is for the fall 2025 semester, during which time she will continue her writing and meet informally with students. Binyam will give a public reading at Bard during her residency.

The Bard Fiction Prize committee writes: “Maya Binyam’s novel Hangman intrigues from its opening sentence as it builds a mysterious Beckettesque world of dark comic disorientation, never allowing the reader to grow complacent as it explores the essence of belonging and displacement. Cain’s infamous question to God in Genesis echoes in the reader’s mind as we watch Binyam’s unnamed narrator strive to be his brother’s finder, encountering innumerable obstacles in his once-familiar homeland. This existential quest makes us rebuild our assumptions from the ground up: what is a refugee? What is a family? How do we find our way home? Binyam builds a universe of alluring elusivity with consummate authority.”

“I’m honored and overjoyed to have been read so generously by the judges of the Bard Fiction Prize,” said Binyam. “Novel writing, for me, is fundamentally mysterious, strange, and almost impossible. This recognition makes it feel more possible, and inevitable, too. I’m very excited to join Bard’s literary community in the fall, and am beyond grateful for the opportunity to work on my second novel alongside its students and faculty. Knowing I’ll have this time to write is a dream.”

Maya Binyam’s novel Hangman, which was named a 2024 National Book Foundation “5 under 35” honoree, received the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and was longlisted for the Women’s Prize and Mark Twain American Voice in Literature Award. Her work has appeared in the Paris Review, the New Yorker, Best American Short Stories, and elsewhere. She is currently a Visiting Lecturer in Literature at Claremont McKenna College. She lives in Los Angeles.

The creation of the Bard Fiction Prize, presented each October since 2001, continues Bard’s long-standing position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction, and provide them with an opportunity to work in a fertile intellectual environment. The 2024 Bard Fiction Prize was awarded to Zain Khalid for his first novel, Brother Alive (Grove Press 2022).

Bard College’s Welcome Corps on Campus (WCC) program has accepted two students from OSUN’s Hubs for Connected Learning Initiatives in Dadaab Refugee Camp in Kenya, to attend Bard in the 2025-26 academic year. Grace George Kharthum and Ruot Wichar Duop, originally from Sudan, secured the highly coveted scholarships from WCC, a refugee sponsorship program supported by US governmental agencies and higher education institutions, after completing the Hubs’ Realizing Higher Education Access Program (RhEAP) program. At Bard, Duop plans to study computer science and English literature, with a focus on developing data, software, and machine learning to provide innovative solutions to challenges in healthcare, education, and governance. Kharthum will pursue a degree in sociology, focusing on gender, education, and global development. “My journey from a refugee camp in Kenya to Bard College in New York is a testament to the power of education and support from dedicated individuals and organizations,” said Kharthum.

Michael Sadowski, Bard’s associate dean of the college, has won the top prize in the novel category of the 2024 William Faulkner-William Wisdom Creative Writing Competition for his debut novel, Indiana Queer. The book, which was selected from 188 novels and short story collections, tells the story of a gay Boston-area high school teacher who leaves his comfortable New England bubble to teach in rural Indiana just as the state’s “Don’t Say Gay or Trans” laws are taking effect—and the past relationship that compels him to do it. Set both in the 2020s and the 1980s, Sadowski’s novel depicts the changing face of anti-queerness at two different time periods in the same Midwestern community. The competition is sponsored annually by the Pirate’s Alley Society, Inc., a nonprofit literary and educational organization intended to honor and assist writers, provide high quality literary entertainment for general public readers, and combat illiteracy in the US.

On Monday, October 21, at 4 pm, internationally renowned writer Joyce Carol Oates will give a reading at Bard College in the Chapel of the Holy Innocents. Oates is a recipient of the National Humanities Medal, the National Book Critics Circle Ivan Sandrof Life Achievement Award, the National Book Award, the Jerusalem Prize for Lifetime Achievement, the Prix Femina, the PEN/Malamud Award for Excellence in the Art of the Short Story, and the Cino Del Duca World Prize, among many other honors. She has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and the New York Times best seller The Falls.

The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. With Morrow, Oates is co-editing Conjunctions:83, Revenants, The Ghost Issue, which will be published in November. Revenants will bring together fiction and poetry on the “unliving-living” by a wide array of esteemed writers, such as Margaret Atwood, Carmen Maria Machado, Ben Okri, Paul Tremblay, Stephen Graham Jones, Patricia Smith, Valerie Martin, Jonathan Carroll, Reggie Oliver, James Morrow, Can Xue, Brian Evenson, Paul Muldoon, and others.

Joyce Carol Oates is the Roger S. Berlind ’52 Distinguished Professor of the Humanities Emerita at Princeton University and has been a member of The American Academy of Arts and Letters since 1978.

James H. Ottaway Jr. Professor of Classics James Romm published a review of Oswyn Murray’s The Muse of History in the Chronicle of Higher Education. The Muse of History is an academic monograph about the study of ancient Greece that also includes personal stories reflecting on Murray’s long career as a historian. Romm finds that The Muse of History is a record of how we use the idea of ancient Greece as a “hall of mirrors” to understand the modern world, as well as a demonstration of Murray’s important contributions to his field.

Romm admires Murray’s “sleuthing into scholarship’s hidden corners” to create a catalog of overlooked scholars of Greek history; for example, the author’s discovery of an unfinished 1837 manuscript “attest[s] to his tireless, rigorous research.” Collectively, Romm finds that The Muse of History is “a multifaceted book” that “offers something of value to readers, whether they are students of history or, as we all are, its prisoners.”

Participants Include New York Times Bestselling Author Sebastian Junger, Cultural Commentator and Artist Ayishat Akanbi, Turkish-born American Philosopher Seyla Benhabib, Irish Journalist Fintan O’Toole, Arendtian Scholar Lyndsey Stonebridge

Hannah Arendt was suspicious of cosmopolitanism, world government, and the loss of the commonsense connections that are part of living with and amidst one’s tribe. Wary of assimilation and universalism, Arendt understood the need for a tribe, whether that tribe be her “tribe” of good friends or living amongst people with whom one shares cultural and social prejudices. At the same time, Arendt was also deeply suspicious of tribalism in politics. Politics always involves a plurality of peoples. Thus, tribal nationalism—what she called the pseudo-mystical consciousness—is anti-political and leads to political programs aimed at ethnic homogeneity.

Arendt believed that the aspiration of politics is to bind together a plurality of people in ways that do justice to their uniqueness and yet find what is common to them as members of a defined political community. The rise of tribalist and populist political movements today is in part a response to the failure of cosmopolitan rule by elites around the world. As understandable as tribalism may be, the challenge today is to think of new political possibilities that allow for the meaningful commitments of tribal identities while also respecting the fact of human plurality.

Presented by OSUN, the Hannah Arendt Center for Politics and Humanities, and Center for Civic Engagement, the Hannah Arendt Center Conference “Tribalism and Cosmopolitanism: How Can We Imagine a Pluralist Politics” responds to the undeniable fact that tribalism is real, appealing, and dangerous. The conference asks: How can we make a space for tribal loyalty and tribal meaning while simultaneously maintaining our commitment to pluralist politics? The 16th annual Arendt conference will bring notable speakers to Bard College in Annandale to discuss the implications of tribalist politics just weeks before the national US election. 

The two-day conference takes place on Thursday, October 17 and Friday, October 18 in Olin Hall, on Bard’s Annandale-on-Hudson, New York campus. Register here.

Registration online closes on October 6th. On-site registration will remain open. The conference is free for Hannah Arendt Center members (plus one guest), Bard College students, faculty, and staff, as well as for members of the press. For non-members, the registration fee is $175. The conference can also be attended virtually via the live webcast. All registrants will receive a link to the live webcast.

The conference will also host a special student journalism contest, where young people will have the opportunity to cover the conference and be paid to have their writing, video, interviews, and photos published in the Hannah Arendt Center’s newsletter Amor Mundi.

Conference highlights include:

• Post-Lecture Discussion and Reflection with Sebastian Junger, in which the public may engage directly with the speaker
• “Tribalism and Cosmopolitanism in Israel and Palestine,” a breakout session with Shai Lavi and Khaled Furani, two Israeli and Palestinian scholars and friends who will engage in conversation with the public
• “Bloods, Crips, and Overcoming Tribalism in Los Angeles,” a panel discussion with Mandar Apte, Phillip “Rock” Lester, and Gilbert Johnson, moderated by Niobe Way
• “Embodied Connection: Reimagining the Tribe,” a breakout session with Jacob Burda and Magnus Jonas Støre, cofounders of The Blue Initiative which aims to pioneer a novel approach within higher education
• A guided walking tour to visit Hannah Arendt’s grave on Bard College campus and her personal library archives housed at the Stevenson Library with Arendtian scholar Lyndsey Stonebridge and Bard College’s Jana Mader

For the full conference schedule, click here.

Featured speakers include:
Ayishat Akanbi, a fashion stylist and writer based in London who challenges popular ideas by championing understanding, curiosity, and independent thought; Seyla Benhabib, Eugene Meyer Professor of Political Science and Philosophy Emerita at Yale University and currently Senior Research Fellow and Professor of Law Adjunct at Columbia University; Sebastian Junger, award-winning journalist, Academy Award–nominated filmmaker, and author of the #1 New York Times bestseller The Perfect Storm, as well as Fire, A Death in Belmont, War, Tribe, Freedom, and In My Time of Dying; Joseph O’Neill, distinguished visiting professor of written arts at Bard whose novels include Netherland, which received the PEN/Faulkner Award for Fiction, and Godwin (2024); Fintan O’Toole, a prize–winning columnist with The Irish Times and advising editor of The New York Review of Books; Lyndsey Stonebridge, professor of humanities and human rights at the University of Birmingham (UK) and a fellow of the British Academy.

Read a full list of speakers with bios here.

The Hannah Arendt Center for Politics and Humanities at Bard College conferences are attended annually by nearly 1000 people and reach an international audience via live webcast. Past speakers have included maverick inventor Ray Kurzweil; whistleblower Edward Snowden; irreverent journalist Christopher Hitchens; businessman Hunter Lewis; authors Teju Cole, Zadie Smith, Masha Gessen, and Claudia Rankine; Wall Street Journal columnist Walter Russell Mead; and political activist and presidential candidate Ralph Nader. Previous conferences have explored citizenship and disobedience, crises of democracy, the intellectual roots of the economic crisis, the future of humanity in an age increasingly dominated by technology, the crisis in American education, American exceptionalism, democracy under the tyranny of social media, and friendship and politics.

Bard Associate Professor of Literature Marisa Libbon published her review of two books about Jane Austen’s clothes, “Needle and Pen: Dressing is writing or, the clothes in the writer’s closet”, in the latest issue of the European Review of Books. The two books she reviews, the monograph Jane Austen’s Wardrobe by Hilary Davidson and the novella The English Understand Wool by Helen DeWitt, both explore how bespoke clothing can be a mirror of the people it was made for. Beyond just reviewing these works, Libbon presents selections of Austen’s fashion to explore how Austen “shaped her novels and her wardrobe simultaneously.”

Writing about the 1990s (a period when four of Austen’s novels were adapted to film and TV) as the “Age of Austen”, Libbon explains how important Regency-era fashion has been to our understanding of the period and how it has sometimes eclipsed the actual author. Austen’s wardrobe, Libbon argues, is where we can find information we’ve overlooked about Austen’s life. Putting this information beside DeWitt’s novella, she concludes that fashion and the written word both help us remember the past: “the words we use, like the clothes we wear, give us shape.”

Zain Khalid, Bard Fiction Prize winner and writer in residence at Bard College, will read from recent work on Monday, September 23. The reading begins at 6 pm and will be held in the Reem-Kayden Center’s László Z. Bitó ’60 Auditorium at Bard College. This event is free and open to the public. For more information call 845-758-7087. 

Author Zain Khalid has received the Bard Fiction Prize for his first novel, Brother Alive (Grove Press, 2022). The Bard Fiction Prize committee wrote: “Zain Khalid’s novel Brother Alive is itself alive, made of language charged with meaning to the utmost possible degree, with at least three valances of narrative draped one on top of another. First is a deeply personal novel about three adopted brothers of mysterious origins growing up in a Staten Island mosque under the care of its eccentric Imam, inhabiting an ordinary world precisely observed and rendered extraordinary with kaleidoscopic language, training its lens on a ride on the back of a motorcycle or a pickup basketball game and turning and turning, changing the patterns of image and sensation, radiating universes of detail. Another is a wild, satirical work of science fiction involving a sinister experimental gas central to the three brothers’ mysteries, which brings them from Staten Island to the Middle East as the book’s politics globalize into ruminations on Islam’s clashes and compacts with the West. And the third is the narrator Youssef’s invisible other “brother” who gives the text its title, the symbiotic shadow-consciousness that lives in his mind and feeds on literature, frequently pointing the reader directly to the author’s influences, as Brother Alive is a novel that knows all literature is about literature, and isn’t afraid to embrace it.”

“I’m honored and grateful to be the recipient of the 2024 Bard Fiction Prize. I’ve long admired the prize’s previous winners, luminaries, really, and am stunned to be joining their ranks,” said Khalid. “To work on my novel alongside Bard’s brilliant literary community is a truly awesome endowment.” 

Zain Khalid is an American writer and novelist, originally from New York. His debut novel, Brother Alive, won the New York Public Library Young Lions Fiction Award and the CLMP Firecracker Award in Fiction, was a finalist for the National Book Critics Circle John Leonard Prize for best first book in any genre, and was shortlisted for the Ursula K. Le Guin Prize for Fiction.

Peter Filkins, Bard College visiting professor of literature and the Richard B. Fisher Professor of Literature at Bard College at Simon’s Rock, has been awarded $50,000 by the National Endowment for the Humanities (NEH) to fund the writing of his upcoming book, Sibyl and Siren: A Life of Ingeborg Bachmann, which is a biography of Austrian author Ingeborg Bachmann (1926–1973). Filkins previously received a 2022–23 Guggenheim Fellowship, 2023 Fulbright Fellowship, and a 2024 Translator Fellowship, given by the Austrian Society for Literature, as well as a travel grant from Austria’s Federal Ministry for Arts, Culture, Civil Service, and Sport, in support of his travel and stay in Vienna, Austria, where he researched his book project, translating letters and manuscripts while working directly within Bachmann’s archive.

Poet and author Ingeborg Bachmann remains an iconic figure in postwar German literature. With the blessing of her heirs to write her biography, Filkins has completed much of the necessary research for his book—including translating excerpts from personal correspondence, manuscripts, acceptance speeches, essays, poems, stories, librettos, novels, and critical commentary from scholars—as well as studying historical documents, reviews, and memoirs from family members. During his NEH grant period, Filkins will focus on writing this biography. This book will expand the understanding of an important writer outside of her native language and culture, and place biography in the service of literary studies, cultural studies, translation studies, and the humanities.

“It’s very pleasing to have such support for the extended period of writing necessary to complete this book. It also goes a long way to bringing more attention to Bachmann's work and introducing it to a larger American audience,” said Filkins.

Ingeborg Bachmann remains Austria’s most celebrated writer of the postwar era, as well as a pioneer of second-wave feminism. Her unblinking examination of fascism’s poisonous, yet subtle effect on language and gender relations informs her poems, essays, stories, and novels. Though she died tragically in a fire at age 47, she remained an important influence on writers such as Elfriede Jelinek, Christa Wolf, and Thomas Bernhard. The critical reception of her work has also been enhanced through its translation into English, with Filkins having translated her complete poems, Darkness Spoken.

Filkins’s NEH Public Scholars Award is one of 25 in that category, and part of $37.5 million in NEH grants for 240 humanities projects across the country, announced in the third and last round of NEH funding for fiscal year 2024. The grants will support vital humanities education, research, preservation, and public programs. These peer-reviewed grants were awarded in addition to $65 million in annual operating support provided to the national network of state and jurisdictional humanities councils.

“From exhibitions, books, and documentaries about our past, to research centers to help us meet the challenges of the future, these 240 new humanities projects contribute to our greater understanding of the human endeavor and add to our nation’s wealth of educational and cultural resources,” said NEH Chair Shelly C. Lowe (Navajo). “We look forward to the exciting range of products, discoveries, tools, and programs these grants will generate at institutions and in communities across the United States.”

Francine Prose, distinguished writer in residence at Bard and author of 12 novels, contributed an essay on the literature of the 2000s to the Washington Post’s ongoing series celebrating the 75th anniversary of the National Book Awards. Prose, who was a finalist for the National Book Award in 2000, frames the 2000s as a decade when authors reflected the anxiety of current events in their work. Although writers are not reporters, she writes, “even if they don’t address the current moment in their work, they live inside that time.”

Prose’s list begins with writing about those current events, juxtaposing the 9/11 Commision Report at the beginning of the decade with Colum McCann’s Let the Great World Spin near the end of it. She also overviews nonfiction, poetry, and short stories, with special focus on the poetry of Ellen Bryant Voigt, Donald Justice, and Kevin Young. Writing about her time serving as a judge for the award in 2007, she notes that the books honored that year—including Denis Johnson’s Tree of Smoke and Mischa Berlinski’s Fieldwork—“intensely reflected the preoccupations of that time but also raised questions that remain essential—and unanswered—to this day.”

Jenny Offill, writer in residence at Bard College, took part in a “Writing Climate Future” panel discussion for LARB Radio Hour podcast, hosted by Los Angeles Review of Books and the Berggruen Institute. As the world faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency. Offill’s most recent book, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize, reflects on the looming threat of a warming world against a backdrop of modern daily life. “At the time that I began writing Weather—which was about eight or nine years ago now—I felt like the way that fiction writers would deal with questions about climate was always pretty much going down the apocalyptic road,” Offill says. “I realized that even when I read one of those books and liked it, there was a way in which it kind of felt like, at the end of it I thought, ‘Oh good, that hasn’t happened. We’re not actually on the road dodging cannibals.’ And so I had this idea like, well, what would it be like to write a pre-apocalyptic book that took place now?”
 

The poem “Sudanese Saying” by Bard College alum Pierre Joris ’69 was featured as Poem of the Week in the Guardian. Joris’s work relays the pain and injustice of the 2016 demolition of the refugee encampment once known as the Calais “Jungle” in France, where the inhabitants numbered about 10,000 when they were evicted and the camp demolished. “Poems that put the case for the rights and dignity of refugees often adopt a refugee’s persona,” writes Carol Rumens for the Guardian. “It’s remarkable that Joris’s carefully distanced manner and elegant precision are able to make a statement as powerful—one at whose climax the translated ‘Sudanese saying’ burns into the mind.”
 

Despite China’s status as a major world leader, few American students are returning to study abroad in China. Last semester, only about 700 US students were in China, compared to more than 11,000 prior to the pandemic. In opposition to this trend, Bard is expanding its engagement in China. 

Malia Du Mont ’95, Bard’s Vice President for Strategy and Policy and the first person to earn a BA in Chinese from Bard, stated, “The US and China will play a major role in determining the future of the planet we share, so it is our responsibility as educators to create opportunities for young people from both countries to learn from each other. In the context of challenging political relations and the rise of artificial intelligence, we must strengthen our commitment to the humanities and nurture many forms of communication, including through music and the arts.”

Underscoring the College’s commitment, President Leon Botstein returned to China in June to spend two weeks in the cities of Xiamen and Ningbo, where he conducted concerts and met with high school and university students and administrators. President Botstein also attended a concert in Ningbo conducted by Oscar-winning composer and Dean of the Bard College Conservatory of Music Tan Dun.

In July, Bard College Conservatory of Music Director Frank Corliss taught for a week at the Shandong University of the Arts (SUA) in Jinan, concluding with a performance by the students and Corliss with members of the faculty and the director of SUA. The director of SUA, GQ Wang, is eager for continued visits by Bard Conservatory faculty and a trip by Graduate Vocal Arts Program Associate Director Kayo Iwama is planned for the coming academic year.

Following the week in Jinan, Frank Corliss traveled to Changsha where he joined Bard Conservatory Dean Tan Dun and four percussion students of the Conservatory (Maddy Dethof, Jonathan Collazo BM/BA ’19, APS ’24, Estaban Ganem MM ’24; Arnav Shirodkar BM/BA ’24) for concerts with Tan Dun and the Changsha Symphony Orchestra. Tan Dun led the students and Frank Corliss in two of his pieces for voice, piano, and percussion ensemble, and in his recent arrangement of Stravinsky’s Rite of Spring for two pianos and percussion. The students, with the Changsha Symphony, also gave the premiere of a piece by Tan Dun “Noa Concerto” for four percussionists and orchestra. The students played on specially made replicas of ancient bronze bells recently discovered in Changsha. The week of concerts also included a performance featuring the Bard String Quartet: Bard Director of Asian Recruitment and Institutional Relations Shawn Moore BM/BA ’11, Fangxi Liu BM/BA ’16, Lin Wang BM/BA ’12, and Zhang Hui APS ’17.  There was also a panel discussion at the Changsha Symphony on Education and Music with Tan Dun, Frank Corliss, and Changsha Symphony President Wang Zhi.
 At a time when language instruction is being cut in many American high schools and institutions of higher education, Chinese language is offered throughout the Bard Early College network. This summer, student cohorts from both Bard High School Early College Baltimore (Bard Baltimore) and Bard High School Early College DC (Bard DC) traveled separately to China. From July 21 to August 5, Bard Baltimore students visited Baltimore's sister city of Xiamen, Maryland’s sister province of Anhui, and China’s capital Beijing as part of the Baltimore-Xiamen Sister City Committee 2024 Youth Ambassadors Program. Their two-week study tour included living and interacting with Chinese peers from local schools in Xiamen, cultural immersion experiences, and meetings with local leaders. They had the opportunity to visit cultural sites including Gulangyu Island (a UNESCO World Heritage site), Lingling Zoo (a local zoo where they saw two twin brother pandas), and Xiamen’s first mangrove-themed ecological coastal wetland park Xiatanwei. Their trip also included travel to the famous Yellow Mountains of Anhui Province and China’s capital Beijing, where they visited the Great Wall, Summer Palace, Temple of Heaven, as well as the US Embassy to attend a panel discussion on the career path of a diplomat.
Bard DC Chinese language students had the opportunity to visit China this summer too. They spent two weeks at Yunnan Normal University in the city of Kunming, taking language classes and enjoying local food, tea, traditional dance, and other cultural experiences such as a visit to the hot springs. Interacting with local Chinese students was a key part of the program for both the Bard Baltimore and Bard DC student groups.

As part of the Chinese language program at the Bard College main campus, Bard undergraduate students from Annandale also went to China this summer, for an eight-week intensive at Qingdao University, which has hosted Bard’s summer immersion courses for over a decade. In addition to taking language classes, participants studied Kung Fu and painting, lived with a host family for one week, and conducted cultural tours in Beijing, Tai’an, and Qingdao.

Dinaw Mengestu, John D. and Catherine T. MacArthur Professor of the Humanities and director of the Written Arts Program at Bard College, was interviewed for the New York Times Book Review about his new novel, Someone Like Us. “Dinaw Mengestu thinks deeply about how stories are told, especially migrant tales,” writes Anderson Tepper. “With Someone Like Us, out this month from Knopf, Mengestu approaches this essential material from a variety of angles.” Mengestu spoke about the hidden lives of his characters, his goals when directing the writing program at Bard, and the ideas that inform the way he writes about immigrant experiences in his fiction.

Further coverage:
Someone Like Us is a fresh, idiosyncratic novel about immigrating to the US (NPR)
For Dinaw Mengestu, reading can be a return to his youth (Boston Globe)
A new novel from Dinaw Mengestu, our patron saint of longing (Washington Post)

“This is the first time the complete text of The Book Against Death has appeared in English, compliments of a superlative translation by Peter Filkins,” writes Sam Sacks for the Wall Street Journal. The Book Against Death, translated by Visiting Professor of Literature Peter Filkins from German, is a collection of notes, fragments, and aphorisms that Elias Canetti wrote across half a century. It was the preparation for what Canetti called a “life work,” a book in which he would put “everything” and which he never finished—the manuscript accumulating his musings until his own death at age 89. A Jewish writer who cast himself as “Death’s Enemy,” Canetti lived through the Holocaust and wrote: “No other feeling approaches the intensity and unshakable nature of this one. I accept no death. Thus all who have died remain genuinely alive to me, not because they have claims upon me, not because I fear them, not because I feel that something of them is still alive, but rather because they never should have died. All of the deaths that have occurred thus far are a multi-thousand-pronged form of judicial murder that I cannot deem legal.” This is the philosophical position Canetti maintains throughout his text.

Further Reading:
“Elias Canetti’s war against death” in the New Statesman

1974, a new memoir by Distinguished Writer in Residence Francine Prose, was reviewed in the Los Angeles Times. The memoir reflects on the shift of America’s identity during that historical year and the events that defined it, such as the Vietnam war, drugs, women’s liberation, and the Patty Hearst kidnapping. It also examines Prose’s own relationship with Anthony Russo, who had been indicted and tried for working with Daniel Ellsberg to leak the Pentagon papers. “Throughout 1974, Prose skillfully interweaves the political and the personal elements of this watershed time. Many lesser writers have tried this and failed,” writes Meredith Maran for the Los Angeles Times. “Of the many books I’ve read (and written) on the topic—I lived in parallel to Prose’s 1960s–1970s life—none has matched Prose’s use of the personal to deepen the political and vice versa.” Maran continues, “In this, her first memoir, Prose succeeds where many before her have failed, enlivening—without demonizing or idealizing—the valiant, creative, idealistic movement that almost brought capitalism down.”