News from the Division of Languages and Literature

On Monday, April 4, Rick Moody—the celebrated author of Garden State, The Ice Storm, The Ring of Brightest Angels Around Heaven, Purple America, The Black Veil: A Memoir with Digressions, and other books—reads from his new novel, Hotels of North America. The Wall Street Journal writes, “Rick Moody is one of the most prodigiously talented writers in America.” Moody will be introduced by novelist and Bard literature professor Bradford Morrow. The reading, presented as part of Morrow’s Innovative Contemporary Fiction Reading Series, takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, and will be followed by a Q&A. The event is free and open to the public; no reservations are required.

On Thursday, March 31, celebrated poet Michael Ives, visiting assistant professor of the humanities at Bard, will read from his work. The reading is presented by the John Ashbery Poetry Series. A jazz musician, an innovator in the field of text in performance, and recipient of the Academy of American Poets Prize and Lillian Fairchild Award, Ives is also the founding member and composer of the sound/text performance trio F’loom and the author of Wavetable (Dr. Cicero Books) and The External Combustion Engine (Futurepoem). 

Pulitzer Prize–winning Indian American author Jhumpa Lahiri moves her family to Rome to pursue a love affair with the Italian language.

On March 3, The Other Stories visited Bard to record and podcast a live reading by Bard student writers. Listen to works by Johanna Costigan '17, Cleo Egnal '17, and Anna Sones '18.

Derek Furr, Master of Arts in Teaching Program director and associate professor of literature, discusses Semitones, a collection of poetry and short fiction.

The sixth annual Berkshire Festival of Women Writers will offer 33 events spanning nine days, and will host approximately 1,000 audience members across numerous Berkshire venues, March 12–20.

Professor Manea is visiting Bard College Berlin and gave a talk at the German Marshall Fund on migration, globalization, and exile.

Language and Thinking faculty member Bruce Watson's Light: A Radiant History from Creation to the Quantum Age is "a delightful journey."

"Worm Loves Worm ... brilliantly explores the idea of love between two beings, regardless of gender (or species) and despite societal ­pressures."

"Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable," writes Porochista Khakpour, visiting writer in residence.

Celia Bland, international coordinator for the Institute for Writing and Thinking, reflects on how the strong character of Jane Eyre influenced her as a young girl.

The writer and critic reveals his nostalgia for an older Paris, mourns the city's disappearing café culture, and touches on the urban defects of neoliberalism.

On Thursday, February 25, award-winning author Luc Sante, visiting professor of writing and photography at Bard College, will read from his most recent book, The Other Paris. Presented by Bard’s Written Arts Program, the reading takes place at 7:00 p.m. in Bard Hall, and is free and open to the public; no tickets or reservations are required. Books will be available for sale and signing from Oblong Books & Music. 

Writer in Residence Francine Prose offers a pop quiz about the romantic works she's most enjoyed discussing with her students in literature classes.

Alexandra Kleeman, Bard Fiction Prize winner and writer in residence at Bard College, will read from her work on Monday, February 15. Free and open to the public, the reading begins at 7 p.m. in the László Z. Bitó ’60 Auditorium in Bard’s Reem-Kayden Center. Kleeman received the 2016 Bard Fiction Prize for her debut novel You Too Can Have a Body Like Mine (Harper 2015). The Bard Fiction Prize committee writes: "Alexandra Kleeman’s You Too Can Have a Body Like Mine wraps a nightmare inside absurdity. It is a novel of alienation, paranoia, anxiety, and dread that puts a smile on your face."

Hilary Kaplan, faculty in the Language and Thinking Program and the Bard Prison Initiative, has been nominated for her translation of Rilke Shake by Angélica Freitas.

Writer in Residence Wyatt Mason reviews Moroccan-born author Laila Lalami's new novel, The Moor's Account.

Writer in Residence Francine Prose discusses her latest novel, Lovers at the Chameleon Club, Paris 1932, as well as love, storytelling, and how to read like a writer.

"Many writers—myself included—attempt to solve this quandary by telling themselves that writing truthfully and well, or trying to write truthfully and well, is itself a political act," writes Prose.

Bard College professor Robert Kelly has been appointed Dutchess County’s first poet laureate. Kelly will read two poems at the State of the County Address, which County Executive Marc Molinaro is scheduled to deliver on Wednesday, January 27 at 5:30 p.m. at the Bardavon 1869 Opera House in Poughkeepsie.

Robert Kelly, Asher B. Edelman Professor of Literature and codirector of the Written Arts Program, has been named Dutchess County’s first poet laureate.

Bard MFA alumna Robin Coste Lewis discusses her book Voyage of the Sable Venus, which won the National Book Award last year.

Eight Bard alumni/ae are involved in the production of Bieber Bathos Elegy, created by Felix Bernstein '13, which will premiere at the Whitney Museum in New York City on January 15. This hybrid work by New York–based artist, poet, and writer Bernstein combines musical performance, poetry, cabaret drag, and opera to explore the concept of bathos—the failure to achieve pathos—and illuminate issues of identity and persona through the character of Justin Bieber. The work is directed by Gabe Rubin '14 with assistant director Clara Lipfert MFA '18, composed by Rron Karahoda '13, with production design by George Dupont '14 and sound design by Cammisa Buerhaus MFA '18, and features musical performances by Leila Bordreuil '13 and Lazar Bozic '14.

John Ashbery tells the story of his lifelong fascination with French culture, and how the arts, literature, and people of that country influenced his work as writer and translator.

"Luc Sante’s fascinating guide to the squalid, disorderly, dank, thrilling, dangerous underside of the Paris of the past makes for a suitably sprawling book."

Thomas Keenan, director of Bard's Human Rights Program, comments on the recently released high-quality drone footage of Islamic State targets in Iraq taken by the Italian Air Force.

Stephen Shore is one of a number of artists who have been successful at conventional photography and now use Instagram as a sort of extra studio, writes Teju Cole.

Layli Long Soldier has been awarded a 2015 Lannan Literary Fellowship for Poetry. She resides in Tsaile, Arizona, on the Navajo Nation and is an English faculty member at Diné College.

Stacy Schiff reviews Letters to Véra, Vladimir Nabokov's letters to his wife, edited and translated from the Russian by Bard professor Olga Voronina and Brian Boyd.

Luc Sante's The Other Paris is Times Higher Education's Book of the Week. "Beneath a bourgeois veneer is a secret history of defunct jobs and fascinating lives."

Hudson Valley Magazine interviewed Bard alumna and La Voz editor Mariel Fiori for their December Women in Business issue.

Logue's Homer, "because of its radical departures, gets us closer to the original than many more defensibly 'faithful' translations have ever managed."

At 15 years old, Bard writer in residence Francine Prose took a job in Bellevue Hospital’s morgue, where her doctor parents hoped she would turn her interests from writing to science.

Conjunctions:65, Sleights of Hand—the latest issue of the innovative literary magazine published by Bard College—gathers a wide spectrum of essays, fiction, and poetry on the subject of deception, exploring a world in which truth is a most fragile, elaborate, and mercurial thing. Edited by Conjunctions editor, novelist, and Bard literature professor Bradford Morrow, Sleights of Hand includes new work from such leading contemporary writers as James Morrow, Laura van den Berg, Porochista Khakpour, Can Xue, Joyce Carol Oates, Edie Meidav, Eleni Sikelianos, Terese Svoboda, Yannick Murphy, Peter Straub, and Paul West, among others.

Professor Ian Buruma has been described as “one of the few remaining ‘public intellectuals’."

These famous comic book authors become the heroes of their own stories in upcoming memoirs.

For the first time, the Museum of Modern Art and the Performa art biennial have co-commissioned a work: There Are Certain Facts That Cannot Be Disputed, by Bard alumna Juliana Huxtable.

Inspired by the short biographies in the Library of America's 19th-century American poetry collections, Luc Sante offers "a tribute ... this collective portrait, like an overlay of photographic transparencies."

On Monday, November 9, Brian Evenson—the celebrated and controversial author of Altmann’s Tongue, The Wavering Knife, The Open Curtain, Last Days, Windeye, and other books—will read from his work at Bard College. “There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson,” says writer George Saunders. Evenson will be introduced by novelist and Bard literature professor Bradford Morrow. The reading, presented as part of Morrow’s Innovative Contemporary Fiction Reading Series, takes place at 2:30 p.m. in Weis Cinema at the Bertelsmann Campus Center and will be followed by a Q&A. It is free and open to the public; no reservations are required.

Author Alexandra Kleeman has been selected to receive the annual Bard Fiction Prize for 2016. The prize, established in 2001 by Bard College to encourage and support promising young fiction writers, consists of a $30,000 cash award and appointment as writer in residence for one semester. Kleeman is receiving the prize for her debut novel You Too Can Have a Body Like Mine (Harper 2015).  

On November 5, celebrated poet Jennifer Moxley will read from her award-winning work at Bard College. The reading is presented by the John Ashbery Poetry Series. The Iowa Review writes that Moxley’s “poems make room for thinking, for dreams, and for silence as they manage and contextualize space both public and private ... [They seem] to ask: Can we take the detritus of living and make song of it? What would that song be like? Would it be song? How do we begin to make it? What would stand in its way?” Introduced by Ann Lauterbach, David and Ruth Schwab Professor of Languages and Literature at Bard, and followed by a Q&A, this event takes place at 6:00 p.m. in Bard Hall. It is free and open to the public; no tickets or reservations are required.

Join a public conversation on November 7 between Neil Gaiman, Bard professor in the arts, and Armistead Maupin, the best-selling writer and activist, as they discuss their heroes Charles Dickens and Christopher Isherwood, the craft of storytelling, and many other subjects. The program takes place on Saturday, November 7 at 7:30 p.m. in the Sosnoff Theater of Bard's Fisher Center. Maupin is the author of 11 novels, including the nine-volume Tales of the City series, which Salon calls “perhaps the most sublime piece of popular literature America has ever produced.”

Widely acclaimed author Joyce Carol Oates, recipient of the National Humanities Medal and National Book Award, will read from "Walking Wounded," a new, unpublished story commissioned especially for its world premiere at this event on Monday, October 26. Booklist wrote, in praise of her short-story collection Lovely, Dark, Deep, "Oates, one of few writers who achieves excellence in both the novel and the short story, has more than two dozen story collections to her name and she continues to inject new, ambushing power into the form. Oates’s stories seethe and blaze." Oates will be introduced by novelist and Bard literature professor Bradford Morrow. The reading, presented as part of Morrow’s Innovative Contemporary Fiction Reading Series, takes place at 3:00 p.m. in Olin Hall. It is free and open to the public; no reservations are required.

"Austrian and Curato turn the simple wedding of two worms into a three-ring circus that slyly turns the whole controversy over same-sex versus heterosexual marriage on its head."

Novelist and Bard literature professor Bradford Morrow and acclaimed guitarist Alex Skolnick present A Bestiary, a live collaborative performance of Morrow’s lyrical prose pieces about animals real and imaginary—from snake to mongoose, unicorn to whale, elephant to glugfish. Set to Skolnick’s original compositions, ranging from jazz to rock to country to world music, this reading of A Bestiary unites the written word with guitar virtuosity in unexpected, magical ways.  Now comic, now tragic, A Bestiary explores the animal kingdom as well as the human condition it mirrors.

On Thursday, October 8, poet Anna Moschovakis, a founding editor of Ugly Duckling Presse and winner of the Academy of American Poets’ James Laughlin Award, will give a reading at Bard College. Author of I Have Not Been Able to Get Through to Everyone, You and Three Others Are Approaching a Lake, and the forthcoming They and We Will Get into Trouble for This, Moschovakis will be introduced by Ann Lauterbach, David and Ruth Schwab Professor of Languages and Literature. This event, presented by the John Ashbery Poetry Series, takes place in Bard Hall at 6:00 p.m. It is free and open to the public; no tickets or reservations are required. Books will be available for sale and signing from Oblong Books & Music.

Bryan Doerries's Outside the Wire theater company presents performance projects at schools, hospitals, and prisons around the world that engage audiences in difficult conversations.

Professor Joseph Luzzi turned to Dante Aligheri’s The Divine Comedy in the wake of a tragic loss.

On Monday, October 5, Bard College will present a talk by financial journalist and editor Carol Loomis to inaugurate the John J. Curran ’75 Lectures in Journalism series. Loomis is the former senior editor-at-large of Fortune magazine, and the coiner of the term “hedge fund.” The editor of Warren Buffett's annual shareholder letter, she has been recognized by the New York Times for her success in battling gender stereotypes within the financial-services industry, having started her career in the 1950s as one of only two female reporters at Fortune. The Reformed Broker calls Loomis “a lion of financial journalism,” while ValueWalk celebrates her as “without doubt, the greatest business writer of all time.”

David Brin has been named the first annual National Endowment for the Humanities/Hannah Arendt Center Distinguished Visiting Fellow. Brin, an American scientist, award-winning author of science fiction, and leading commentator on the world’s most pressing technological trends, is in residence at the Hannah Arendt Center at Bard College from Monday, October 5, to Sunday, October 25. As part of Brin’s fellowship, he will mentor selected Bard students on their fiction and nonfiction writing. Brin will also offer a number of lectures and discussions during his residency at Bard. This new annual fellowship has been made possible through an NEH Challenge Grant.