News from the Division of Languages and Literature

Daniel Mendelsohn, the Charles Ranlett Flint Professor of Humanities, spoke with the New York Review of Books about his new translation of Homer’s Odyssey for the University of Chicago Press. In conversation with Lauren Kane, Mendelsohn discussed the challenges of balancing both poetic beauty and literal meaning in translating, the ways in which the story handles depictions of family relationships, and why the epic is experiencing a resurgence in modern retellings. The Odyssey, he says, is a “postwar poem, but it’s also a sort of post-everything poem. The old order has disappeared. The gods have receded. They’re almost not present at all, except in a couple of crucial moments, and certainly not in the way they’re present in the Iliad, where they’re all over the action and fighting in the battles. You feel the gods have withdrawn. Odysseus is a lone guy in a strange world with no familiar landmarks. The whole poem is haunted by a feeling that the old world order has come to an end, and now we’re just on our own, making our way as best we can. That may be what’s speaking to people.”

Bard written arts major Samantha Barrett ’26 has won the 2025 PEN/Robert J. Dau Short Story Prize for Emerging Writers. This award recognizes 12 emerging writers each year for their debut short story published in a literary magazine, journal, or cultural website, and aims to support the launch of their careers as fiction writers. Chosen for originality, craft, and pushing the boundaries of the genre, each winner receives a $2,000 cash prize and is published by Catapult in their annual anthology, Best Debut Short Stories: The PEN America Dau Prize. This year’s judges—Lydi Conklin, Dionne Irving, Brenda Peynado—selected the winning stories from a range of dynamic literary publications. 

Barrett’s prize-winning story “Invert” was published by Foglifter Journal, issue 9.1 (2024) and nominated by the journal’s editors for the PEN award. Barrett will attend the 61st annual PEN America Literary Awards Ceremony on May 8 in New York City, where over 20 distinct awards, fellowships, grants, prizes, and nearly $350,000 will be conferred to writers and translators.

“I'm deeply honored to receive this award, and incredibly excited to attend this ceremony along with some of the most promising up-and-coming writers of today,” said Barrett.

The PEN/Robert J. Dau Short Story Prize for Emerging Writers is generously supported by the family of the late Robert J. Dau, whose commitment to the literary arts made him a fitting namesake for this career-launching prize. Before his death, Robert J. Dau, a lifelong Michigan resident, requested that a prize be established to promote budding writers. He knew that Ernest Hemingway spent summers with his family in northern Michigan and was a contemporary of Dau’s mother. Hemingway spent a winter writing in Dau’s hometown of Petoskey, and Robert loved Hemingway’s connection to his hometown. He also loved that Hemingway wrote his Nick Adams stories about places he knew personally. Dau’s admiration for Hemingway resulted in the creation of the PEN/Robert J. Dau Short Story Prize for Emerging Writers.

Professor Robert Cioffi reviewed The Red Sea Scrolls: How Ancient Papyri Reveal the Secrets of the Pyramids by Pierre Tallet and Mark Lehner for the London Review of Books. The authors discuss an archaeological discovery that changed how we view the Great Pyramid of Giza: the papyri of Wadi el-Jarf, written between 2607 and 2605 BCE. These documents name people who worked on the pyramid, how much they were paid, and what their tasks were. As Cioffi puts it, these documents are "a first-hand account of the men who built the Great Pyramid of Giza.”

Cioffi’s review draws on his expertise in papyrology and Egyptian cultural interactions. He writes that while Tallet and Lehner can’t explain everything about the pyramids, they do reveal important facts about the daily life of workers there. Thanks to the papyri, “For the first time in 4500 years, Khufu’s pyramid has its voices again: not of priests or pharaohs but of the men who made it possible.”