News from the Division of Languages and Literature

On Monday, March 2, 2020, Berlin Prize–winning author Carole Maso will read from her work at Bard College. Known for her experimental, poetic, and fragmentary narratives, “Maso is a writer of such power and originality that the reader is carried away with her, far beyond the usual limits of the novel,” writes the San Francisco Chronicle. Maso will be introduced by Bard literature professor and novelist Bradford Morrow. The reading, presented by Morrow’s Innovative Contemporary Fiction Reading Series, takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center. It is free and open to the public; no reservations are required. 
 

“Much of the feminist dystopian fiction published over the last few years takes place in the future, in worlds uncomfortably similar to our own. The Illness Lesson, however, proves that books can fit squarely within that genre even when set in the past — in this case, small-town Massachusetts in 1871. Think ‘City Upon a Hill’ ideals and ‘The Scarlet Letter’-style misogyny and you’ll have a pretty good idea of this sly debut novel, which scarily hints that, since the 19th century, perhaps not a whole lot has changed.… Astoundingly original, this impressive debut belongs on the shelf with your Margaret Atwood and Octavia Butler collections” (Siobhan Jones, New York Times).

Clare Beams, Bard Fiction Prize winner and writer in residence at Bard College, will read from recent work on Monday, February 24. This event is free and open to the public. The reading begins at 7 p.m. and will be held in the Reem-Kayden Center’s László Z. Bitó ’60 Auditorium.

Using Orwell’s Down and Out to Understand and Write Histories of Homelessness Then and Now 

Bard College presents its annual Eugene Meyer Lecture in British History and Literature, with Nick Crowson, Chair in Contemporary British History at the University of Birmingham. The lecture takes place in the Lásló Z. Bitó ’60 Auditorium (Room 103) of the Gabrielle H. Reem and Herbert J. Kayden Center for Science and Computation on Tuesday, February 18, at 4:45 p.m. The event is free and open to the public.
 
What does George Orwell's classic account of homeless living in London during the interwar years offer the historian? Where should we locate this semi-fictionalised account in the tradition of the incognito social investigator? Professor Crowson's lecture will address these questions and ask how Orwell helps us understand the physical manifestations of homelessness in modern Britain. In doing so, he shows how historians can play a crucial role in facilitating better, historically-informed public discourse around homelessness.

Nick Crowson holds the Chair in Contemporary British History at the University of Birmingham. The author and editor of many books, including Facing Fascism: The Conservative Party and the European Dictators 1935–40; Britain and Europe: A Political History since 1918; and A Historical Guide to NGOs in Britain: Charities, Civil Society and the Voluntary Sector since 1945, he is writing a new history of homelessness in modern Britain seeking to integrate the lived experience with the policy responses. His research is widely used by a range of policy and cultural organisations, including Crisis, Shelter, the Museum of Homelessness and the Cardboard Citizens Theatre Company.

This annual lecture forms part of the endowment of the Chair in British History and Literature that was established in 2010 to commemorate Eugene Meyer (1875–1959)—the owner and publisher of the Washington Post, Chairman of the Federal Reserve, and first President of the World Bank. The endowment has given Bard the opportunity to extend its commitment to teaching and research in modern British studies. Professor Richard Aldous holds the Eugene Meyer Chair.

Photo courtesy Peter Berthoud.

The fallen executive committed a cardinal, culturally unacceptable sin: hubris.

Justus Rosenberg, Bard Professor Emeritus of Languages and Literature and Visiting Professor of Literature, has penned a new memoir, The Art of Resistance: My Four Years in the French Underground (William Morrow, 2020).

Bard’s Clemente Course in the Humanities in Kingston, New York, kicks off its spring session this week at the Kingston Library. Marina van Zuylen, Bard faculty member and Clemente Course director, talks about the nationwide Clemente Course, and how the program connects to Bard’s mission to make college education more inclusive and accessible. The spring 2020 Kingston Clemente Course begins on Thursday, February 6 and takes place on Tuesdays and Thursdays from 6:00 to 8:00 pm. There is no tuition, and the program includes free childcare and transportation. Students earn 6 Bard College credits upon completion. Prospective students are encouraged to come to the open house to preview the program on Tuesday, February 4, 6:00 to 8:00 pm, or simply attend the first class on Thursday. Marina van Zuylen is a professor of French and comparative literature at Bard, director of the French Studies Program, and national academic director of the Clemente Course in the Humanities.
 

Assistant Professor of Literature Daniel Williams reviews Anna Kornbluh’s The Order of Forms. “Kornbluh anchors her brilliant and challenging book in the 19th-century realist novel but goes well beyond those confines to argue forcefully for the political dynamism and durability of forms and formalisms in our time,” he writes.