News

Novelist and Bard literature professor Bradford Morrow, founding editor of Conjunctions, will host an online evening of readings to celebrate the publication of the latest issue of Conjunctions, the celebrated literary journal published by Bard College. Morrow will be joined by Conjunctions:77 contributors Charles Bernstein, Anelise Chen, Shelley Jackson, Tracie Morris, and Arthur Sze. The livestreamed event, presented by Conjunctions and Elliott Bay Book Company, takes place on Friday, January 21, at 8 p.m. ET. To register, please visit the Eventbrite page.

About the Issue
Published by Bard College in fall 2021, Conjunctions: 77: States of Play, The Games Issue gathers fiction, poetry, essays, and genre-bending work from writers who are willing, through their writing, to invoke one of the oldest, most audacious questions one mortal can put to another: “Do you want to play a game?” Edited by novelist and Bard literature professor Morrow, States of Play features a collection of poems by celebrated Indian poet Ranjit Hoskote, a short story by international bestseller David Shields, poems by PEN/Malamud Award winner Nam Le, a new short story by Jerusalem Prize winner Joyce Carol Oates, new poems from National Book Award winner Arthur Sze, a new series of genre-bending work from cross-genre experimental writer Shelley Jackson, a new poem from National Book Award and Bollingen Prize winner Nathaniel Mackey, and a collaborative duet between Charles Bernstein and Tracie Morris, two of the most revered voices in American poetry. The issue also includes work from Joanna Scott, John Darcy, Heather Altfeld, Kyoko Mori, James Morrow, Catherine Imbriglio, Pierre Reverdy, Robin Hemley, Anelise Chen, S. P. Tenhoff, Lowry Pressly, Cole Swensen, Rae Armantrout, Lucas Southworth, Kelsey Peterson, John Dimitroff, Alyssa Pelish, Tim Raymond, Justin Noga, Brian Evenson, and Kate Colby.

About the Participants
Charles Bernstein is the author of Topsy-Turvy and Pitch of Poetry (both University of Chicago Press). In 2019, he was awarded the prestigious Bollingen Prize for Poetry. With Tracie Morris, Charles Bernstein coedited Best American Experimental Writing 2016 (Wesleyan University Press).

Anelise Chen’s first book, So Many Olympic Exertions, came out with Kaya Press in 2017. She teaches writing at Columbia University.

Shelley Jackson is the author of Riddance (Black Balloon), Half Life (HarperCollins), The Melancholy of Anatomy(Anchor), hypertexts including Patchwork Girl (Eastgate Systems), and several children’s books, including The Old Woman and the Wave (DK) and Mimi’s Dada Catifesto (Clarion Books). She is known for her cross-genre experiments, most notably SKIN, a story published in tattoos on 2,095 volunteers.

Tracie Morris’s recent books include the forthcoming titles handholding: on the other hand (Kore Press), human/nature poems (Litmus Press), Who Do With Words (expanded edition, Chax Press) and Hard Korè: Poems of Mythos and Place(Joca Seria Press).

Arthur Sze recieved the 2021 Shelley Memorial Award from the Poetry Society of America. His newest book is The Glass Constellation: New and Collected Poems (Copper Canyon).

Bradford Morrow is the author of ten books of fiction and the founding editor of Conjunctions. He is the recipient of a Guggenheim Fellowship in fiction, an Academy Award in literature from the American Academy of Arts and Letters, and the PEN/Nora Magid Award for excellence in editing a literary journal.

Two Bard College students have been awarded highly competitive Benjamin A. Gilman International Scholarships by the U.S. Department of State. Art history and Italian studies major Francesca Houran ’23 has been awarded $5,000 towards her studies at the University of Trento in Italy, where she will be the first to participate in a newly established tuition exchange program with Bard. “Through studying abroad, I hope to further my knowledge of the hermaphrodite within the context of the Italian Renaissance and how it influences the gender binary in contemporary Italy. I am also excited to explore the ascending, vertically-oriented architecture of museums, churches, and monuments that prompts climbing and physical ascension as a symbol of conquest and hierarchy,” says Houran. “My overarching goal is to build a foundation for a career in ethical museum curation and nuanced communication of histories surrounding gender, race, and colonialism—a goal that traveling through the Gilman Scholarship will make possible for me as a low-income college student.”

Biology major and premed student Emma Tilley ’23 has been awarded $4,500 to study via Bard’s tuition exchange at the University College Roosevelt in the Netherlands. “I am grateful for the Gilman scholarship and excited for the opportunity to travel abroad and learn more about international healthcare systems and the ways that Covid has impacted nations differently. My additional focus is to continue working on promoting inclusion in STEM on a global scale,” says Tilley.

Gilman Scholars receive up to $5,000, or up to $8,000 if also a recipient of the Gilman Critical Need Language Award, to apply toward their study abroad or internship program costs. Since the program’s establishment in 2001, over 1,350 U.S. institutions have sent more than 34,000 Gilman Scholars of diverse backgrounds to 155 countries around the globe. The program has successfully broadened U.S. participation in study abroad, while emphasizing countries and regions where fewer Americans traditionally study. 

As Secretary of State Anthony Blinken said, “People-to-people exchanges bring our world closer together and convey the best of America to the world, especially to its young people.”

The late Congressman Gilman, for whom the scholarship is named, served in the House of Representatives for 30 years and chaired the House Foreign Relations Committee. When honored with the Secretary of State’s Distinguished Service Medal in 2002, he said, “Living and learning in a vastly different environment of another nation not only exposes our students to alternate views but adds an enriching social and cultural experience. It also provides our students with the opportunity to return home with a deeper understanding of their place in the world, encouraging them to be a contributor, rather than a spectator in the international community.”

The Gilman Program is sponsored by the U.S. Department of State’s Bureau of Educational and Cultural Affairs (ECA) and is supported in its implementation by the Institute of International Education (IIE). To learn more, visit: gilmanscholarship.org.

In 1968, the celebrated author of The Autobiography of Malcolm X arrived at Hamilton College to teach and work on his magnum opus, Roots. Now, on the centenary of his birth, former student Michael Patrick Hearn recalls Haley’s class for the New York Times. Hearn eventually transferred from Hamilton to Bard, graduating in 1972.

“The most important thing he taught us that year was that the one great American story that had never been fully told was the Black story,” Hearn writes. “Far from being a side issue, it was at the very core of the American experience. History, he suggested, concerns the lives of ordinary people; genealogy was not just for royalty anymore. He taught me that despite what the textbooks said, Black history did not end with the Emancipation Proclamation.”

Michael Patrick Hearn ’72 is the author of The Annotated Wizard of Oz, The Annotated Huckleberry Finn, and The Annotated Christmas Carol. He is currently completing The Annotated Edgar Allan Poe.

Bard Writer in Residence Wyatt Mason reviews celebrated short fiction writer and translator Lydia Davis’s most recent book for the New York Times. “Essays Two, Lydia Davis’s new collection of 19 pieces on translation and the learning of languages, all written over the past two decades, offers overwhelming proof of the benefits to a writer of a practice of translation,” writes Mason. And yet readers “with no interest in translation, little taste for essays and zero desire to become writers will nonetheless find themselves burning through its 571 pages,” he asserts. “[W]ith recognition that the mind we’re meeting on the page is awake to the world in ways that feel necessary and new.”

Asher B. Edelman Professor of Literature Robert Kelly curates The Brooklyn Rail’s 64th Radical Poetry Reading featuring four major American poets, three of whom are Bardians. Billie Chernicoff ’78, Pierre Joris ’69, Kimberly Lyons ’81, and Jerome Rothenberg will read at this online event taking place over Zoom on Wednesday, December 8 at 1pm ET. Register for the event here.

American poet Robert Kelly was born in Brooklyn. He attended CUNY and Columbia University and since 1961 has taught at Bard College. He has authored more than 60 published volumes of fiction, poetry, and prose-poems. His 1967 debut novel The Scorpions first brought him a cult readership, and in 1980 his book Kill The Messenger won the Los Angeles Times Book Award. 

Writer Billie Chernicoff is the author of several books of poetry, most recently Amoretti (Lunar Chandelier Collective, 2020), as well as The Red Dress (Dr. Cicero Books, 2015), Bronze, and Waters Of (Lunar Chandelier Collective, 2018 and 2016). 

Poet, translator, essayist, anthologist Pierre Joris has moved between Europe. the United States, and North Africa for 55 years, publishing over 80 books of poetry, essays, translations, and anthologies. Most recently, Fox-trails, -tales & -trots (Black Fountain Press 2020), the translations Memory Rose into Threshold Speech: The Collected Earlier Poetry of Paul Celan (FGS 2020), and A City Full of Voices: Essays on the Work of Robert Kelly and Microliths: Posthumous Prose of Paul Celan, A City Full of Voices: Essays on the Work of Robert Kelly (all Contra Mundum Press 2020). 

Poet Kimberly Lyons is the author of Capella (Oread Press, 2018), Approximately Near (Metambesendotorg, 2016), Soonest Mended (Belladonna Collaborative), Calcinatio (Faux Press) and a limited edition collaboration with artist Ed Epping, Mettle (Granary Books). 

Internationally celebrated poet, translator, anthologist, and performer Jerome Rothenberghas published over 90 books of poetry and 12 assemblages of traditional and avant-garde poetry such as Technicians of the Sacred and Poems for the Millennium.