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“Were this an isolated case, it might be understood differently than what in fact it is: part of a much wider effort of the Polish government and active elements of Polish society to silence the legitimate work of Holocaust scholarship in favor of protecting the supposed interests of the Polish state for which the narrative of Polish innocence during the Holocaust plays an important role. The present case must be seen as part of that larger effort,” write Brent and Grabowski in Tablet. Jonathan Brent is the executive director of the YIVO Institute for Jewish Research and the Visiting Alger Hiss Professor of History and Literature at Bard College.

The Henry Luce Foundation announced today that Evan Tims ’19 has been named a 2021–22 Luce Scholar. The Luce Scholars Program is a nationally competitive fellowship program launched by the Henry Luce Foundation in 1974 to enhance the understanding of Asia among potential leaders in American society. Tims is one of 18 finalists (chosen from among 164 semifinalists from over 70 participating colleges and universities) selected for the new class of Luce Scholars. After working with Luce in the coming months to choose the organization and country in Asia where he will be placed, he plans to explore the field of climate justice, relationships between nature and culture, and the future-oriented practices of social change, as well as write stories and novels that explore the changing global environment.

“My focus is on finding ways to address the climate crisis through interdisciplinary and intersectional leadership. Despite the unique challenges of COVID-19 this year, I believe that global connectivity and understanding are more critical than ever.” said Tims. “I’m grateful to Luce for the opportunity to follow my curiosity and passion in a completely new sociocultural and geographic context. Given the necessity for international collaboration in combating the climate crisis, Luce provides a critical avenue for developing global connection and understanding.”

Evan Tims ’19 is a police misconduct investigator, climate fiction writer, and researcher. Growing up in coastal Maine, he developed an early interest in the relationship between narrative, social justice, and environmental change. At Bard, Tims received a joint BA degree in human rights and written arts, two fields that allowed him to explore formulations of rights and cultural attentiveness to injustice through a variety of lenses. While at Bard, Evan won two Critical Language Scholarships that funded Bangla studies in Kolkata, India. Tims’s Senior Project explored the intersections between climate and social justice using a combination of experimental fiction and academic research. He received the Bard Written Arts Prize and the Christopher Wise Award in environmentalism and human rights for his thesis, which he later published in shortened form in Mapping Meaning: The Journal. His passion for human rights led him to become an investigator for the Civilian Complaint Review Board of New York City (CCRB), the largest police oversight agency in the United States. Tims ultimately hopes to spend his career addressing the social harm engendered by the climate crisis through the perspective of human rights.

About the Luce Scholars Program
The Luce Scholars Program provides stipends, language training, and individualized professional placement in Asia for 15-18 Luce Scholars each year, and welcomes applications from college seniors, graduate students, and young professionals in a variety of fields who have had limited exposure to Asia. The program, open to both U.S. citizens and permanent residents, is unique among American-Asian exchanges in that it is intended for young leaders who have had limited experience of Asia and who might not otherwise have an opportunity in the normal course of their careers to come to know Asia. For more information, visit hluce.org/programs/luce-scholars. Bard students interested in applying to the Luce Scholars Program should contact the Dean of Studies Office at [email protected].

About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.(2/19/21)
 

The impeachment trial affirmed Hannah Arendt’s insight that two paradoxical qualities characterize the audiences of totalitarians: gullibility and cynicism. “Donald Trump’s second impeachment trial was an artifact of his Presidency,” writes Distinguished Writer in Residence Masha Gessen. “It was a battle of meaning against noise, against nothing-means-anything-and-everything-is-the-same nihilism—and nihilism won.”

Dina Ramadan, assistant professor of Arabic, reviews Yara El-Sherbini's Forms of Regulation and Control at the Cue Art Foundation in New York for Art-agenda. “The first US solo exhibition for British-born, Santa Barbara–based El-Sherbini, curated by Naeem Mohaiemen, is an elegant rejoinder to the din of recent months,” Ramadan writes. “Deftly weaponizing humor through a series of discreet interventions, it challenges the so-called ‘unconscious’ bias that permeates even the most seemingly benign forms of knowledge and their production.”

On February 26, novelist and Bard College literature professor Bradford Morrow, founding editor of Conjunctions, the celebrated literary journal published by Bard College, hosts an evening of readings and performances with some of the contributors to Conjunctions:75, Dispatches from Solitude. This issue gathers fiction, poetry, essays, and genre-bending work from writers far and wide who respond to the deficits of quarantine, self-isolation, and distancing. Morrow will be joined by contributors Sandra Cisneros and Henry Cisneros, Brandon Hobson, Nathaniel Mackey, and Barbara Tran. The livestreamed event, presented by Conjunctions and Elliott Bay Book Company, takes place Friday, February 26, at 8 p.m. For reservations, please click here.

Edited by Morrow, Dispatches from Solitude features two previously unpublished poem-songs by Sandra Cisneros; fiction by the late H. G. Carrillo; and new writing by Brandon Hobson, Nathaniel Mackey, Barbara Tran, Forrest Gander, Helena María Viramontes, Bennett Sims, Anne Waldman, Colin Channer, Rikki Ducornet, Kyoko Mori, John Yau, Charles Bernstein, Marc Anthony Richardson, Michael Ives, Rick Moody, and many others. In his Editor’s Note, Morrow describes how plans for an entirely different fall issue, States of Play, were dashed as the coronavirus pandemic took over.

“As hundreds, then thousands, began to die—among them dear friends of mine, such as Conjunctions donor Jay Hanus and longtime contributor H. G. Carrillo—New York and other cities were forced into lockdown,” writes Morrow. “COVID-19 became the daily and nightly shadow that fell across our lives. Amid this harrowing outbreak, another, more urgent theme for the fall Conjunctions became imperative, one where we might gather writing from those who were compelled to change their daily routines, even reevaluate what their work and lives meant to them. Contributions didn’t necessarily have to be about the pandemic, as such, but shaped by its constraints, by the terrors and courage it has provoked.”

Additional contributors to Dispatches from Solitude include Jane Pek, Meredith Stricker, David Ryan, Gillian Conoley, Yxta Maya Murray, Vanessa Chan, Cyan James, Clare Beams, Cindy Juyoung Ok, Alyssa Pelish, Erin L. McCoy, Alan Rossi, John Darcy, Rae Armantrout, Sylvia Legris, and Susan Daitch.

Sandra Cisneros is a poet, short story writer, novelist, essayist, and visual artist whose work explores the lives of Mexicans and Mexican Americans. Her numerous awards include a MacArthur Fellowship, the National Medal of Arts, a Ford Foundation Art of Change Fellowship, and the PEN/Nabokov Award for Achievement in International Literature. She will be joined by her brother Henry Cisneros, who has set her poetry from Dispatches to music.

Brandon Hobson is the author of the novel The Removed (Ecco, Feb 2021); Where the Dead Sit Talking (Soho Press), a 2019 National Book Award finalist; and other books. An assistant professor of English at New Mexico State University, he also teaches in the low-res MFA program at the Institute of American Indian Arts in Santa Fe.

Nathaniel Mackey is the author of poetry collections Late Arcade, Nod House and Blue Fasa (all New Directions), and Lay Ghost (Black Ocean). He edits the literary magazine Hambone.

Bradford Morrow (editor) is the author of ten books of fiction and the founding editor of Conjunctions. He is the recipient of a Guggenheim Fellowship in fiction, an Academy Award in literature from the American Academy of Arts and Letters, and the PEN/Nora Magid Award for excellence in editing a literary journal.

Barbara Tran is a poet, with writing published or forthcoming in Bennington Review, The Cincinnati Review, Ploughshares, Poetry, and The New Yorker. In spring 2021, her first poem film will tour with a Diasporic Vietnamese Artists Network exhibition.
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The Washington Post says, “Conjunctions offers a showplace for some of the most exciting and demanding writers now at work.”

Edited by Bradford Morrow and published twice yearly by Bard College, Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For nearly four decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous execution. In 2020, Conjunctions received the prestigious Whiting Literary Magazine Prize. The judges noted, “Every issue of Conjunctions is a feat of curatorial invention, continuing the Modernist project of dense, economical writing, formal innovation, and an openness to history and the world.” Named a “Top Literary Magazine 2019” by Reedsy, the journal was a finalist for both the 2018 and 2019 ASME Award for Fiction and the 2018 CLMP Firecracker Award for General Excellence. In addition, contributions to recent issues have been selected for The Best American Essays (2018, 2019), The Pushcart Prize XLIV: Best of the Small Presses, Best American Experimental Writing 2020, Best Small Fictions 2019, and The Year’s Best Dark Fantasy & Horror: 2019.

For more information on the latest issue, please visit conjunctions.com/print/archive/conjunctions75. To order a copy, go to annandaleonline.org/conjunctions, call the Conjunctions office at 845-758-7054, e-mail [email protected], or write to Conjunctions, Bard College, PO Box 5000, Annandale-on-Hudson, NY 12504-5000. Visit the Conjunctions website at conjunctions.com.

[Note to editors: To obtain review copies, please call Mark Primoff at 845-758-7412 or e-mail [email protected]]

(2.8.21)
 

We know the Roman conquest of Masada only through the account of the enigmatic Jewish historian Josephus, whose shifting allegiances make his motives hard to discern. James Romm, James H. Ottaway Jr. Professor of Classics, writes for the New York Review of Books, reviewing A History of the Jewish War, AD 66–74 by Steve Mason (Cambridge University Press, 2016) and Masada: From Jewish Revolt to Modern Myth by Jodi Magness (Princeton University Press, 2019).
 

“In this world of tasers, special-forces troops, manufactured criminal prosecutions, and teams of assassins, Navalny’s incantation of ‘Do not be afraid!’ does not mean ‘There is nothing to fear,’” writes Gessen. “A young man in Moscow, asked by a TV Rain journalist why he hadn’t been scared to join the protests, answered, ‘I was scared. I am still scared. But what’s happening in the country now—it’s bigger than the fear. What else is there to do?’”

Rogers, a visiting associate professor of writing at Bard College, “assembles an exquisite array of diverse voices united by a shared love of birding” (Publishers Weekly). Each essay explores birding “as an art of wanderlust and extreme patience while highlighting varied species, in habitats from the shoreline of the Sargasso Sea in Bermuda (where Jenn Dean describes how the cahow, a species thought extinct since the 17th century, was rediscovered in the 20th) to the North Dakota prairie (where Richard Bohannon considers the Baird’s sparrow and the Sprague’s pipit, both small, unremarkable-looking species known in the birding world as LBJs, or ‘little brown jobs’).”