News and Notes by Date
listings 1-28 of 28 | ||
Date | Title | |
December 2019 |
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12-30-2019 |
https://slate.com/human-interest/2019/12/childrens-fantasy-literature-oxford-school-tolkien-lewis.html Photo: Professor Cecire teaches her Introduction to Children's and Young Adult Literature course at Bard. Photo by China Jorrin '86
Meta: Subject(s): Literature Program,Division of Languages and Literature | Institutes(s): Center for Experimental Humanities | |
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12-16-2019 |
http://tanyamarcuse.com/ Photo: (L-R) Francine Prose and Tanya Marcuse. Photo by Jonathan Blanc for the New York Public Library.
Meta: Subject(s): Written Arts Program,Photography Program,Division of the Arts,Division of Languages and Literature | |
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November 2019 |
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11-22-2019 |
Conjunctions:73, Earth Elegies Features New Work from Brian Evenson, Joyce Carol Oates, James Morrow, Lance Olsen, Rae Armantrout, Quincy Troupe, Eliot Weinberger, Nathaniel Mackey, Sabine Schiffner, Rob Nixon, Heather Altfeld, Arthur Sze, Francine Prose, Troy Jollimore, and Kristine Ong MuslimTo be mindful of the planet we call home is to be aware that our natural world is suffering. Its oceans are rising up, as if in protest. Its populations of birds and fish, of mammals and reptiles, are, many of them, in steep and steady decline. Forests, coral reefs, habitats of every sort of life form, from tree frogs to butterfly fish, from elephants to bees, are profoundly afflicted. Conjunctions:73, Earth Elegies—the latest issue of the innovative literary magazine published by Bard College—gathers writings that examine and lament the plight of our planet, while also celebrating its grand sublimity, its peerless beauty, and its indispensability. Edited by novelist and Bard literature professor Bradford Morrow, Earth Elegies features an exclusive interview with Underland author Robert Macfarlane, conducted by Diane Ackerman; a new translation of Sabine Schiffner poems; as well as new work from Brian Evenson, James Morrow, Lance Olsen, Joyce Carol Oates, Rae Armantrout, Quincy Troupe, Eliot Weinberger, Nathaniel Mackey, Sabine Schiffner, Rob Nixon, Heather Altfeld, Arthur Sze, Francine Prose, Troy Jollimore, and Kristine Ong Muslim.“It is inarguable that our planet and all of its denizens, both flora and fauna, humans among them, are imperiled,” writes Morrow. “Earth Elegies addresses this essential theme and celebrates our fragile, sublime, indispensable world. All of these writers have approached our theme from unexpectedly different angles, but no matter how diverse their narratives, the many voices and visions in this issue emanate from a single concern: the survival of our planet.” Additional contributors to Earth Elegies include Matthew Cheney, Jessica Campbell, Rachel Blau DuPlessis, Krista Eastman, Matthew Gavin Frank, Troy Jollimore, Karla Kelsey, Hilary Leichter, Rebecca Lilly, Sandra Meek, Kate Monaghan, Andrew Mossin, Yxta Maya Murray, Rob Nixon, Toby Olson, Jessica Reed, Donald Revell, Sofia Samatar, Jonathan Thirkield, Debbie Urbanski, Thomas Dai, and Wil Weitzel. The Washington Post says, “Conjunctions offers a showplace for some of the most exciting and demanding writers now at work.” Edited by Bradford Morrow and published twice yearly by Bard College, Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For nearly four decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous execution. Named a “Top Literary Magazine 2019” by Reedsy, the journal was a finalist for both the 2018 and 2019 ASME Award for Fiction and the 2018 CLMP Firecracker Award for General Excellence. In addition, contributions to recent issues have been selected for The Best American Essays (2018, 2019), The Pushcart Prize XLIV: Best of the Small Presses, Best American Experimental Writing 2020, Best Small Fictions 2019, and The Year’s Best Dark Fantasy & Horror: 2019. For more information on the latest issue, please visit conjunctions.com/print/archive/conjunctions73. To order a copy, go to annandaleonline.org/conjunctions, call the Conjunctions office at 845-758-7054, e-mail [email protected], or write to Conjunctions, Bard College, PO Box 5000, Annandale-on-Hudson, NY 12504-5000. Visit the Conjunctions website at conjunctions.com. http://www.conjunctions.com/ Meta: Subject(s): Division of Languages and Literature | Institutes(s): Conjunctions | |
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11-04-2019 |
Photo: Sigrid Nunez. Image Credit: Nancy Crampton
Meta: Subject(s): Division of Languages and Literature,Written Arts Program | Institutes(s): Bard Undergraduate Programs,Conjunctions | |
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October 2019 |
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10-29-2019 |
The Classical Studies Scholarship recognizes academically outstanding students committed to classical studies. Scholarships cover up to full tuition for four years and are awarded based on need. Scholarship students must maintain a 3.3 grade point average or higher while earning at least 32 credits per year. Recipients are also eligible for a $1,500 stipend for classics-related summer programs (e.g. archaeological excavations, American School at Athens/Rome, language study) following their sophomore or junior year. Transfer students are also eligible for Classical Studies Scholarship funding. Desirable experiences for selection as a Classical Studies Scholar include a proven interest in the ancient Greek and Roman worlds and their legacies; an interest in, and potential for, learning Greek and Latin; strong performance in high school classes related to English and world literature, languages, history, and/or other related humanities subjects. For more information or to apply, go to connect.bard.edu/register/classics_scholar. “We in the Classical Studies Program are thrilled about this new initiative. These need-based financial aid scholarships, which include support for summer opportunities such as travel abroad and intensive language study, allow Bard College to make a unique contribution to ongoing efforts to widen access and increase equity in the field of Classics. We are excited to welcome the first scholars to Bard in Fall 2020, where they will join our thriving program and work with our award-winning faculty to pursue their passion for the ancient world,” says Associate Professor of Classical Studies Lauren Curtis. Photo: Bard College Associate Professor of Classical Studies Lauren Curtis. Photo by Eliza Watson '21
Meta: Subject(s): Foreign Languages, Cultures, and Literatures Program,Division of Social Studies,Division of Languages and Literature,Classical Studies Program,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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10-28-2019 |
https://www.bleedingcool.com/2019/10/22/david-avallones-writers-commentary-on-bettie-pages-halloween-special-2019/ Photo: Cover art by Roy Allan Martinez
Meta: Subject(s): Division of the Arts,Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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10-21-2019 |
http://www.conjunctions.com/about/news/event/?id=136226 Photo: Peter Orner. Photo by Pawul Kruk
Meta: Subject(s): Written Arts Program,Division of Languages and Literature | Institutes(s): Conjunctions,Bard Undergraduate Programs | |
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10-16-2019 |
New Faculty Chairs and Distinguished Professorships include Susan Aberth in Art History, Valeria Luiselli in Written Arts, Kelly Reichardt in Film and Electronic Arts, and An-My Lê in PhotographyBard College has appointed four new chairs and distinguished professorships across disciplines this fall. In the Division of the Arts’ Art History and Visual Culture Program, Susan Aberth has been named Edith C. Blum Professor of Art History. This chair was formerly held by Jean French. In the Division of Languages and Literature’s Written Arts Program, Valeria Luiselli has been named Sadie Samuelson Levy Professor in Languages and Literature. In the Division of the Arts’ Film and Electronic Arts Program, Kelly Reichardt has been named S. William Senfeld Artist in Residence. In the Division of the Arts’ Photography Program, An-My Lê has been named Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts. This chair was formerly held by Peter Hutton. Susan Aberth is an art historian whose area of specialization is surrealism in Latin America. Aberth’s teaching interests focus on Latin American art, African art, Islamic art, and other religious art and practices. Additional interests include African religious practices in the Americas, and the art and iconography of Freemasonry, Spiritualism, and the occult. In addition to her 2004 book Leonora Carrington: Surrealism, Alchemy and Art (Lund Humphries), she has contributed to Seeking the Marvelous: Ithell Colquhoun, British Women and Surrealism (Fulgur Press, 2020), Agnes Pelton: Desert Transcendentalist (Phoenix Art Museum, 2019), Surrealism, Occultism and Politics: In Search of the Marvelous (Routledge Press, 2018), Leonora Carrington: Cuentos mágicos (Museo de Arte Moderno & INBA, Mexico City, 2018), Unpacking: The Marciano Collection (Delmonico Books, Prestel, 2017), and Leonora Carrington and the International Avant-Garde (Manchester University Press, 2017), as well as to Abraxas: International Journal of Esoteric Studies, Black Mirror, and the Journal of Surrealism of the Americas. She received her BA from the University of California, Los Angeles; MA from the Institute of Fine Arts, New York University; and PhD from The Graduate Center, City University of New York. Aberth has been at Bard since 2000. Valeria Luiselli is an award-winning writer of fiction and nonfiction whose books are forthcoming and/or published in more than 20 languages. A 2019 recipient of a MacArthur Fellowship, she is the author of the novels Lost Children Archive (2019); The Story of My Teeth (2015), named Best Book in Fiction by the Los Angeles Times and one of the best books of the year by the New York Times, and was a National Book Critics Circle finalist; and Faces in the Crowd (2014), for which she received a National Book Foundation “5 under 35” prize, among other honors. Tell Me How It Ends: An Essay in 40 Question, a nonfiction work published in 2017, won the American Book Award and was a National Book Critics Circle and Kirkus Prize finalist. Other nonfiction publications include “Maps of Harlem,” in Where You Are; and Sidewalks, a collection of essays that was named one of the 10 best books of 2014 by New York. Recent journal, newspaper, and radio work has appeared in the New York Times (“The Littlest Don Quixotes versus the World”), Guardian (“Frida Kahlo and the Birth of Fridolatry”), Outlook Interview Series, BBC World Services (“Undocumented Central American Minors”), Harper’s Trump special (“Terrorist and Alien”), and NPR’s This American Life (“The Questionnaire”), among others. Honors also include an Art for Justice Fellowship (2018–19) and residencies at Under the Volcano, USA-Mexico; Poets House, New York City; and Castello di Fosdinovo, Italy. She previously taught at Hofstra University, City College, the New York University MFA Writing Program in Paris, and Columbia University’s MFA Writing Program. Luiselli founded the Teenage Immigrant Integration Association at Hofstra in 2015, a program that offers continuous support to immigrant and refugee teens through one-on-one English classes, soccer games, and civil rights education. She is a member of PEN America and the Association of Writers and Writing Programs. She received her BA from UNAM in Mexico, and her MA and PhD from Columbia University. She has been at Bard since 2019. Kelly Reichardt is a filmmaker whose latest film, Certain Women—starring Laura Dern, Michelle Williams, Kristen Stewart, and Lily Gladstone—premiered in 2016 at the Sundance Film Festival and won the top award at the London Film Festival. Her other films include: Night Moves (2013), Meek’s Cutoff (2010), Wendy and Lucy (2008), Old Joy (2006), and River of Grass (1994). Her film First Cow is currently in postproduction. Reichardt has received the United States Artists Fellowship, Guggenheim Fellowship, Anonymous Was a Woman Award, and Renew Media Fellowship. Her work has been screened at the Whitney Biennial (2012), Film Forum, Cannes Film Festival in “un certain regard,” Venice International Film Festival, Sundance Film Festival, Berlin International Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, and BFI London Film Festival. She has had retrospectives at the Anthology Film Archives, Pacific Film Archive, Museum of the Moving Image, Walker Art Center, and American Cinematheque Los Angeles. Reichardt received her BFA from the School of the Museum of Fine Arts, Tufts University. She has taught at Bard College since 2006. An-My Lê is a photographer who was born in Saigon, Vietnam, in 1960, but left that country during the final year of the war in 1975 and subsequently found a home as a political refugee in the United States. She received an MFA from Yale University in 1993. Her film and photography examine the effects and representation of war and have included the documentation of (and participation in) Vietnam War reenactments in South Carolina. She has received fellowships from the MacArthur Foundation, Guggenheim Memorial Foundation, and New York Foundation for the Arts, and has had exhibitions at the Museum of Modern Art, the International Center of Photography, and MoMA PS1. An-My has been teaching at Bard since 1999. Photo: Clockwise from top left: Susan Aberth, Valeria Luiselli (photo by Alfredo Pelcastre), An-My Lê (photo by Pete Mauney ’93 MFA ’00), and Kelly Reichardt (Pete Mauney ’93 MFA ’00)
Meta: Subject(s): Written Arts Program,Photography Program,Division of the Arts,Division of Languages and Literature,Art History and Visual Culture | Institutes(s): Bard Undergraduate Programs | |
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10-08-2019 |
Photo: Bard faculty members Marina van Zuylen and Daniel Terris.
Meta: Subject(s): Division of Languages and Literature | Institutes(s): IILE,Clemente Course,Center for Civic Engagement,Bard Undergraduate Programs | |
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September 2019 |
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09-30-2019 |
The Bard Fiction Prize committee writes: “The nine stories in Clare Beams’ debut collection of fiction, We Show What We Have Learned, range from factual, historical settings and characters to eerily fantastical ones, displaying a startling depth and an epic scale of imagination. While the characters, and the situations they find themselves in, are sometimes surreal, their psychologies are always absolutely real—fully, compassionately drawn. Every one of these stories has a world and a lifetime behind it, and every one is a compelling, disquieting, and immensely pleasurable journey, reverie, and dream for its reader. Clare Beams is a subtle, quiet master of short fiction, who writes in beautiful and exquisitely crafted prose.” “I am so much more grateful to Bard and to the Bard Fiction Prize committee than I can possibly say for this recognition of my work and for this gift—one of the best gifts anyone could give me, as a writer who’s also a parent of young children—of time. To join this list of winners, so many who are heroes and heroines of mine, is an honor, and to join the inspiring Bard community is a thrill. I can’t wait to meet the students and faculty and work on my third book, a new novel, in their midst,” says Beams. Clare Beams is the author of the story collection We Show What We Have Learned, which was a Kirkus Best Debut of 2016 and a finalist for the PEN/Robert W. Bingham Prize, the New York Public Library’s Young Lions Fiction Award, and the Shirley Jackson Award. Her first novel, The Illness Lesson, will be published by Doubleday in February of 2020. Her fiction appears in One Story, n+1, Ecotone, The Common, Electric Literature’s Recommended Reading, The Best American Nonrequired Reading, and elsewhere, and she has received fellowships from the National Endowment for the Arts, the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, and the Sustainable Arts Foundation. She lives in Pittsburgh with her husband and two daughters, and has taught creative writing at Carnegie Mellon University and St. Vincent College. The creation of the Bard Fiction Prize, presented each October since 2001, continues Bard’s long-standing position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction, and provide them with an opportunity to work in a fertile intellectual environment. Last year’s Bard Fiction Prize was awarded to Greg Jackson for his short story collection Prodigals (Farrar, Straus and Giroux 2016). https://www.bard.edu/bfp/ Photo: Author Clare Beams has been selected to receive the Bard Fiction Prize for 2020. Photo: Kristi Jan Hoover
Meta: Subject(s): Written Arts Program,Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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09-25-2019 |
The MacArthur Fellowship is a no-strings-attached award to extraordinarily talented and creative individuals as an investment in their potential. There are three criteria for selection of Fellows: exceptional creativity, promise for important future advances based on a track record of significant accomplishments, and potential for the Fellowship to facilitate subsequent creative work. Recipients may be writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, or those in other fields, with or without institutional affiliations. Fellows may use their award to advance their expertise, engage in bold new work, or, if they wish, to change fields or alter the direction of their careers. Although nominees are reviewed for their achievements, the Fellowship is not a lifetime achievement award, but rather an investment in a person’s originality, insight, and potential. Indeed, the purpose of the Fellowship is to enable recipients to exercise their own creative instincts for the benefit of human society. MacArthur Fellows receive $625,000 stipends that are bestowed with no conditions; recipients may use the money as they see fit. Eleven Bard faculty members have previously been honored with a MacArthur Fellowship. Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, and England. He is a Choctaw-Cherokee artist who incorporates his heritage into his multi-disciplinary work, which includes abstract sculptures, paintings, and prints. Gibson earned his Master of Arts in painting at the Royal College of Art, London, in 1998 and his Bachelor of Fine Arts in painting from the School of the Art Institute of Chicago in 1995. Gibson has work in the permanent collections of the Denver Art Museum, Museum of Fine Arts, Boston, Smithsonian Institution's National Museum of the American Indian at the Smithsonian Institution, National Gallery of Canada, Crystal Bridges Museum of American Art, and more. Recent solo exhibitions include Jeffrey Gibson: Like a Hammer at the Seattle Art Museum in Washington and Madison Museum of Art in Wisconsin and Jeffrey Gibson: This is the Day at Blanton Museum of Art in Austin, Texas. Gibson is a past TED Foundation Fellow, and a Joan Mitchell Grant recipient. He lives and works in New York. Valeria Luiselli is an award-winning writer of fiction and nonfiction whose books are forthcoming and/or published in more than 20 languages. She is the author of the novels Lost Children Archive (2019); The Story of My Teeth (2015), named Best Book in Fiction by the Los Angeles Times, one of the best books of the year by the New York Times, and a National Book Critics Circle finalist; and Faces in the Crowd (2014), for which she received a National Book Foundation “5 under 35” prize, among other honors. Tell Me How It Ends: An Essay in 40 Questions, a nonfiction work published in 2017, won the American Book Award and was a National Book Critics Circle and Kirkus Prize finalist. Other nonfiction publications include “Maps of Harlem,” in Where You Are, and Sidewalks, a collection of essays that was named one of the 10 best books of 2014 by New York. Recent journal, newspaper, and radio work has appeared in the New York Times (“The Littlest Don Quixotes versus the World”), Guardian (“Frida Kahlo and the Birth of Fridolatry”), Outlook Interview Series, BBC World Services (“Undocumented Central American Minors”), Harper’s Trump special (“Terrorist and Alien”), and NPR’s This American Life (“The Questionnaire”), among others. Honors also include an Art for Justice Fellowship (2018–19) and residencies at Under the Volcano, USA-Mexico; Poets House, New York City; and Castello di Fosdinovo, Italy. She previously taught at Hofstra University, City College, the New York University MFA Writing Program in Paris, and Columbia University’s MFA Writing Program. She founded the Teenage Immigrant Integration Association at Hofstra in 2015, a program that offers continuous support to immigrant and refugee teens through one-on-one English classes, soccer games, and civil rights education. She is a member of PEN America and the Association of Writers and Writing Programs. She was born in Mexico City and currently lives in New York City. https://www.macfound.org/fellows/1036/ Photo: Jeffrey Gibson, image courtesy of Jeffrey Gibson Studio and Roberts Projects, Los Angeles, California, photo by Pete Mauney '93 MFA '00. Valeria Luiselli, photo by Alfredo Pelcastre.
Meta: Subject(s): Written Arts Program,Studio Arts Program,Division of the Arts,Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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09-03-2019 |
https://www.eelive.ng/somali-writer-nuruddin-farah-wins-2019-lee-hochul-literary-prize-for-peace/ Meta: Subject(s): Division of Languages and Literature,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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July 2019 |
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07-12-2019 |
https://www.yivo.org/Lithuanian-State-Award Photo: H.E. Dalia Grybauskaitė, President of the Republic of Lithuania, and Jonathan Brent, YIVO’s Executive Director and CEO, at Order for Merits to Lithuania Conferment
Meta: Subject(s): Russian and Eurasian Studies Program,Religion and Theology,Literature Program,Division of Social Studies,Division of Languages and Literature | Institutes(s): YIVO | |
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07-03-2019 |
https://www.kirkusreviews.com/book-reviews/daniel-mendelsohn/ecstasy-and-terror/ Meta: Subject(s): Division of Languages and Literature,Classical Studies Program | Institutes(s): Bard Undergraduate Programs | |
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June 2019 |
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06-24-2019 |
https://www3.unifr.ch/philclass/fr/news/actualites/20704 Meta: Subject(s): Division of Social Studies,Division of Languages and Literature,Classical Studies Program,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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06-04-2019 |
https://www.irishtimes.com/culture/why-you-can-t-be-angry-and-rational-at-the-same-time-1.3903298 Meta: Subject(s): Division of Languages and Literature,Classical Studies Program,Foreign Languages, Cultures, and Literatures Program | Institutes(s): Bard Undergraduate Programs | |
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May 2019 |
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05-19-2019 |
https://www.bard.edu/news/releases/pr/fstory.php?id=3154 Meta: Subject(s): Division of Languages and Literature | Institutes(s): Conjunctions | |
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05-07-2019 |
An Odyssey: A Father, a Son, and an Epic is the story of what happened after Mendelsohn’s 81-year-old father enrolled in his Bard College course on Homer’s Odyssey.
https://www.pbs.org/newshour/arts/an-odyssey-is-aprils-pick-for-the-pbs-newshour-new-york-times-book-club Meta: Subject(s): Division of Languages and Literature,Classical Studies Program,Foreign Languages, Cultures, and Literatures Program | Institutes(s): Bard Undergraduate Programs | |
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April 2019 |
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04-16-2019 |
https://www.bard.edu/news/releases/pr/fstory.php?id=3143 Photo: Valeria Luiselli. Image Credit: Alfredo Pelcastre
Meta: Subject(s): Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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04-09-2019 |
Robert Cioffi, assistant professor of classics, has been awarded two fellowships from Harvard University for work on his scholarly monograph, Narrating the Marvelous: The Greek Novel and the Ancient Ethnographic Imagination. One, from the Loeb Classical Library Foundation, provides funding for an additional semester of research leave. In addition, he has been named a Junior Fellow at the Center for Hellenic Studies in Washington, D.C., where he will be in residence for the spring semester of 2020.
https://kleos.chs.harvard.edu/?p=138089 Meta: Subject(s): Foreign Languages, Cultures, and Literatures Program,Division of Social Studies,Division of Languages and Literature,Classical Studies Program,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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March 2019 |
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03-12-2019 |
http://www.bard.edu/news/notes/details/?id=3965 Photo: Peter Filkins
Meta: Subject(s): Division of Languages and Literature,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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03-05-2019 |
http://www.bard.edu/news/features/?id=258 Meta: Subject(s): Division of Languages and Literature | Institutes(s): Conjunctions | |
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February 2019 |
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02-12-2019 |
http://www.bard.edu/news/features/?id=252 Meta: Subject(s): Community Engagement,Division of Languages and Literature,Division of Science, Math, and Computing,Division of Social Studies | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement | |
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02-10-2019 |
Lauterbach brings every kind of writing into her work, writes critic John Yau: dialog, essay, letter, diary, lyric, prose, list, philosophical investigation, memory, fiction, dream, and citation.
https://hyperallergic.com/483241/spell-ann-lauterbach-penguin-random-house-2018/ Meta: Subject(s): Division of Languages and Literature,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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02-06-2019 |
http://www.bard.edu/news/releases/pr/fstory.php?id=3117 Meta: Subject(s): Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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January 2019 |
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01-22-2019 |
Assistant Professor of Classics Robert Cioffi reviews Josephine Quinn’s In Search of the Phoenicians.
https://www.lrb.co.uk/v41/n01/robert-l-cioffi/a-palm-tree-a-colour-and-a-mythical-bird Meta: Subject(s): Division of Languages and Literature,Classical Studies Program,Foreign Languages, Cultures, and Literatures Program | Institutes(s): Bard Undergraduate Programs | |
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01-07-2019 |
Farah’s new novel offers no easy answers in the clash between religious extremism and secularism as it plays out in a Somali family living in Norway.
https://www.nytimes.com/2019/01/04/books/review/north-of-dawn-nuruddin-farah.html Meta: Subject(s): Division of Languages and Literature,Literature Program | Institutes(s): Bard Undergraduate Programs | |
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01-02-2019 |
http://www.bard.edu/news/features/?id=241 Credit: Valeria Luiselli. Photo by Alfredo Pelcastre.
Meta: Subject(s): Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs | |
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listings 1-28 of 28 |