News

Distinguished Writer in Residence Teju Cole reflects on the ethical implications of displaying found photographs of African Americans in the age of digital photo tagging.

On Thursday, April 21, Bard College will host a celebratory reading in honor of the work of Ann Lauterbach, David and Ruth Schwab Professor of Languages and Literature, member of the Milton Avery Graduate School of the Arts faculty, and the renowned author of Under the Sign; Or to Begin Again (National Book Award nominee); Hum; If in Time: Selected Poems 1975–2000; The Night Sky: Writings on the Poetics of Experience; and other books. Poet John Ashbery, Charles P. Stevenson Professor Emeritus of Languages and Literature, writes, “Ann Lauterbach’s poetry goes straight to the elastic, infinite core of time.” Celebrating Lauterbach’s work will be poets Jibade-Khalil Huffman ’03, Simone White, Michael Ives, Camille Guthrie, and Anselm Berrigan, who will briefly discuss their artistic relationship to Lauterbach’s influential oeuvre. The evening will culminate with Lauterbach reading her own work.

Acclaimed Somali writer and Bard professor Nuruddin Farah discusses his novel Maps as part of the World Service’s Identity Season​.

Poet, translator, and novelist Idra Novey discusses her new novel and the importance of literary dialogue outside of traditional academic settings.

Professor Joseph Luzzi breaks the code of The Divine Comedy and justifies its importance outside of the college and high school classroom.

Bard College and Simon's Rock faculty member, poet, and translator of German literature Peter Filkins has recently had two of his works reviewed. His translation of H.G. Adler's novel The Wall was reviewed in the London Review of Books, and his edition of a collection of Adler's essays, Orthodoxie des Herzens, was reviewed in the Times Literary Supplement.

"Death camps in civilization" in the Times Literary Supplement | PDF

"The crematorium is a zoo" in the London Review of Books | PDF

On Thursday, April 14, celebrated poet and art critic Roberto Tejada will read from his work at Bard College. The reading is presented by the John Ashbery Poetry Series. Poet Alan Gilbert says, “Tejada’s work is with dismantling borders and upsetting classifications. The result is a layered poetry that finds its form in dense stanzas composed of lines that frequently veer toward a kind of fractured prose.” Introduced by Ann Lauterbach, David and Ruth Schwab Professor of Languages and Literature at Bard, this event takes place at 6:00 p.m. in the Bard Chapel of the Holy Innocents. It is free and open to the public; no tickets or reservations are required.

On Monday, April 18, award-winning author Eli Gottlieb will read from Best Boy, his new novel about autism, memory, and redemption. The New Yorker finds Best Boy “arresting ... The book’s empathy is bracing.” Celebrated writer Cynthia Ozick says, “I’ve fallen in love with Best Boy, touched by its delicacy and fearless truths.” A short documentary film featuring Gottlieb’s brother, the model for the protagonist of Best Boy, will be screened at the start of the reading. Gottlieb will be introduced by novelist and Bard literature professor Bradford Morrow. The reading, presented as part of Morrow’s Innovative Contemporary Fiction Reading Series, takes place at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, and will be followed by a Q&A. The event is free and open to the public; no reservations are required.

The "Shakespeare-steeped" poetry of distinguished poet, Bard College alumnus, and former Bard faculty member Anthony Hecht '44 is praised in the New Criterion.

Wyatt Mason discusses literary authenticity in Maylis de Kerangal’s new novel, The Heart.