Division of Languages and Literature News by Date
Results 1-5 of 5
December 2020
12-18-2020
Photo: Sviatlana Tsikhanouskaya, by Daniel Hofer / Laif / Redux
Meta: Type(s): Article,Faculty | Subject(s): Bardians at Work,Division of Languages and Literature,Written Arts Program | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Article,Faculty | Subject(s): Bardians at Work,Division of Languages and Literature,Written Arts Program | Institutes(s): Bard Undergraduate Programs |
12-17-2020
“A writer of extraordinary accomplishment and humanity, Dinaw Mengestu has brought signal openness, growth, and energy to the Written Arts Program at Bard since his arrival in 2016,” said Bard’s Dean of the College, Deirdre D’Albertis.
Dinaw Mengestu, a recipient of the 2012 MacArthur Foundation Award, was born in Ethiopia and raised in Illinois. His fiction and journalism have been published in the New Yorker, Granta, Harper’s, Rolling Stone, and New York Times. Mengestu was chosen for the 5 under 35 Award by the National Book Foundation and was named on the New Yorker’s “20 under 40” list in 2010. He is also the recipient of a Lannan Fiction Fellowship, The Guardian First Book Award, the Los Angeles Times Book Prize, among other awards. He is the author of three novels: The Beautiful Things, That Heaven Bears (2008), How to Read the Air (2010), and All Our Names (2014). His work has been translated into more than fifteen languages. Mengestu has a BA from Georgetown University and an MFA from Columbia University. He has been at Bard since 2016.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 160-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
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12/17/20
Photo: Dinaw Mengestu, photo by Michael Lionstar
Meta: Type(s): Faculty | Subject(s): Division of Languages and Literature,Literature Program,Written Arts Program |
Meta: Type(s): Faculty | Subject(s): Division of Languages and Literature,Literature Program,Written Arts Program |
12-05-2020
Photo: Masha Gessen. Photo by Lena Di
Meta: Type(s): Article,Faculty | Subject(s): Bardians at Work,Division of Languages and Literature,Written Arts Program | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Article,Faculty | Subject(s): Bardians at Work,Division of Languages and Literature,Written Arts Program | Institutes(s): Bard Undergraduate Programs |
12-01-2020
Conjunctions:75, Dispatches from Solitude Features New Work from Sandra Cisneros, H. G. Carrillo,
Forrest Gander, Helena María Viramontes, Bennett Sims, Colin Channer, Rikki Ducornet, Kyoko Mori,
John Yau, Charles Bernstein, Marc Anthony Richardson, Clare Beams, Brandon Hobson, Michael Ives, Nathaniel Mackey, and Rick Moody
While plagues have historically fostered every kind of loss—of freedom, of livelihood, of hope, of life itself—the isolation of grim eras such as the one we are now experiencing can also provoke introspection, fresh curiosity, and, with luck and mettle, singular creativity. Conjunctions:75, Dispatches from Solitude—the latest issue of the innovative literary magazine published by Bard College—gathers fiction, poetry, essays, and genre-bending work from writers far and wide who—despite the deficits of quarantine, self-isolation, and distancing—are closely bonded by a shared embrace of the written word and its ineffable powers of expression. Edited by novelist and Bard literature professor Bradford Morrow, Dispatches from Solitude features two previously unpublished songs by Sandra Cisneros, recipient of the 2019 PEN/Nabokov Award for Achievement in International Literature; a new short story by 2020 Bard Fiction Prize winner Clare Beams; recent fiction by the late H. G. Carrillo; and new writing by Forrest Gander, Helena María Viramontes, Bennett Sims, Colin Channer, Rikki Ducornet, Kyoko Mori, John Yau, Charles Bernstein, Marc Anthony Richardson, Brandon Hobson, Michael Ives, Nathaniel Mackey, and Rick Moody.
In his Editor’s Note, Morrow describes how plans for an entirely different fall issue, States of Play, were dashed as the coronavirus pandemic took over. “As hundreds, then thousands, began to die—among them dear friends of mine, such as Conjunctions donor Jay Hanus and longtime contributor H. G. Carrillo—New York and other cities were forced into lockdown,” writes Morrow. “COVID-19 became the daily and nightly shadow that fell across our lives. Amid this harrowing outbreak, another, more urgent theme for the fall Conjunctions became imperative, one where we might gather writing from those who were compelled to change their daily routines, even reevaluate what their work and lives meant to them. Contributions didn’t necessarily have to be about the pandemic, as such, but shaped by its constraints, by the terrors and courage it has provoked.”
Additional contributors to Dispatches from Solitude include Jane Pek, Meredith Stricker, Barbara Tran, David Ryan, Gillian Conoley, Yxta Maya Murray, Anne Waldman, Vanessa Chan, Cyan James, Cindy Juyoung Ok, Alyssa Pelish, Erin L. McCoy, Alan Rossi, John Darcy, Rae Armantrout, Sylvia Legris, and Susan Daitch.
Forrest Gander, Helena María Viramontes, Bennett Sims, Colin Channer, Rikki Ducornet, Kyoko Mori,
John Yau, Charles Bernstein, Marc Anthony Richardson, Clare Beams, Brandon Hobson, Michael Ives, Nathaniel Mackey, and Rick Moody
While plagues have historically fostered every kind of loss—of freedom, of livelihood, of hope, of life itself—the isolation of grim eras such as the one we are now experiencing can also provoke introspection, fresh curiosity, and, with luck and mettle, singular creativity. Conjunctions:75, Dispatches from Solitude—the latest issue of the innovative literary magazine published by Bard College—gathers fiction, poetry, essays, and genre-bending work from writers far and wide who—despite the deficits of quarantine, self-isolation, and distancing—are closely bonded by a shared embrace of the written word and its ineffable powers of expression. Edited by novelist and Bard literature professor Bradford Morrow, Dispatches from Solitude features two previously unpublished songs by Sandra Cisneros, recipient of the 2019 PEN/Nabokov Award for Achievement in International Literature; a new short story by 2020 Bard Fiction Prize winner Clare Beams; recent fiction by the late H. G. Carrillo; and new writing by Forrest Gander, Helena María Viramontes, Bennett Sims, Colin Channer, Rikki Ducornet, Kyoko Mori, John Yau, Charles Bernstein, Marc Anthony Richardson, Brandon Hobson, Michael Ives, Nathaniel Mackey, and Rick Moody.
In his Editor’s Note, Morrow describes how plans for an entirely different fall issue, States of Play, were dashed as the coronavirus pandemic took over. “As hundreds, then thousands, began to die—among them dear friends of mine, such as Conjunctions donor Jay Hanus and longtime contributor H. G. Carrillo—New York and other cities were forced into lockdown,” writes Morrow. “COVID-19 became the daily and nightly shadow that fell across our lives. Amid this harrowing outbreak, another, more urgent theme for the fall Conjunctions became imperative, one where we might gather writing from those who were compelled to change their daily routines, even reevaluate what their work and lives meant to them. Contributions didn’t necessarily have to be about the pandemic, as such, but shaped by its constraints, by the terrors and courage it has provoked.”
Additional contributors to Dispatches from Solitude include Jane Pek, Meredith Stricker, Barbara Tran, David Ryan, Gillian Conoley, Yxta Maya Murray, Anne Waldman, Vanessa Chan, Cyan James, Cindy Juyoung Ok, Alyssa Pelish, Erin L. McCoy, Alan Rossi, John Darcy, Rae Armantrout, Sylvia Legris, and Susan Daitch.
The Washington Post says, “Conjunctions offers a showplace for some of the most exciting and demanding writers now at work.”
Edited by Bradford Morrow and published twice yearly by Bard College, Conjunctions publishes innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. For nearly four decades, Conjunctions has challenged accepted forms and styles, with equal emphasis on groundbreaking experimentation and rigorous execution. In 2020, Conjunctions received the prestigious Whiting Literary Magazine Prize. The judges noted, “Every issue of Conjunctions is a feat of curatorial invention, continuing the Modernist project of dense, economical writing, formal innovation, and an openness to history and the world.” Named a “Top Literary Magazine 2019” by Reedsy, the journal was a finalist for both the 2018 and 2019 ASME Award for Fiction and the 2018 CLMP Firecracker Award for General Excellence. In addition, contributions to recent issues have been selected for The Best American Essays (2018, 2019), The Pushcart Prize XLIV: Best of the Small Presses, Best American Experimental Writing 2020, Best Small Fictions 2019, and The Year’s Best Dark Fantasy & Horror: 2019.
For more information on the latest issue, please visit conjunctions.com/print/archive/conjunctions75. To order a copy, go to annandaleonline.org/conjunctions, call the Conjunctions office at 845-758-7054, e-mail [email protected], or write to Conjunctions, Bard College, PO Box 5000, Annandale-on-Hudson, NY 12504-5000. Visit the Conjunctions website at conjunctions.com.
[Note to editors: To obtain review copies, please call Mark Primoff at 845-758-7412 or e-mail [email protected]]
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(12.1.20)Meta: Type(s): Faculty,General,Journal,Staff | Subject(s): Division of Languages and Literature,Literature Program | Institutes(s): Conjunctions |
12-01-2020
“Akil Kumarasamy’s Half-Gods is a breathtaking debut by one of those rare writers whose compassionate understanding—in this case, a multigenerational family with a frayed, crazy-quilt history—is matched by the narrative gifts necessary to bring her tales to life,” writes the Bard Fiction Prize committee. “While each individual story in this inventive collection is told in vivid, lusciously worded, image-rich prose, the overarching symphonic whole has—much like Jamaica Kincaid’s first book, At the Bottom of the River—the sweep and scope of a novel. What Kumarasamy has given us with Half-Gods is ultimately a meditation, as most great stories are, on time, memory, and hope for the future.”
“I’m very excited to receive the Bard Fiction Prize and to be part of the Bard community,” said Kumarasamy. “This has been such a whirlwind of a year, and, during these very uncertain times, I’m grateful for the support and the committee’s belief in my work. Really thrilled by the opportunity.”
Akil Kumarasamy is a writer from New Jersey and the author of the story collection, Half Gods, published by Farrar, Straus and Giroux in 2018, which was named a New York Times Editors’ Choice, and was the recipient of the Story Prize Spotlight Award and a finalist for the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her work has appeared in Harper’s Magazine, American Short Fiction, Boston Review, among others. She has received fellowships from the University of East Anglia, the Provincetown Fine Arts Work Center, Yaddo, and the Schomburg Center for Research in Black Culture. She is an assistant professor at the Rutgers-Newark MFA program and her debut novel, Better Humans, is forthcoming with Farrar, Straus and Giroux.
The creation of the Bard Fiction Prize, presented each October since 2001, continues Bard’s longstanding position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction, and provide them with an opportunity to work in a fertile intellectual environment. Last year’s Bard Fiction Prize was awarded to Author Clare Beams for her debut collection of short stories, We Show What We Have Learned (Lookout Books, 2016).
About the Bard Fiction Prize
The Bard Fiction Prize is awarded to a promising emerging writer who is an American citizen aged 39 years or younger at the time of application. In addition to a $30,000 cash award, the winner receives an appointment as writer in residence at Bard College for one semester, without the expectation that he or she teach traditional courses. The recipient gives at least one public lecture and meets informally with students. To apply, candidates should write a cover letter explaining the project they plan to work on while at Bard and submit a CV, along with three copies of the published book they feel best represents their work. No manuscripts will be accepted. Applications for the 2022 prize must be received by June 15, 2021. For information about the Bard Fiction Prize, call 845-758-7087, send an e-mail to [email protected], or visit bard.edu/bfp. Applicants may also request information by writing to: Bard Fiction Prize, Bard College, Annandale-on-Hudson, NY 12504-5000.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 160-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
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12/1/20
Photo: Akil Kumarasamy, photo by Nina Subin
Meta: Type(s): General | Subject(s): Awards,Division of Languages and Literature,Literature Program,Written Arts Program | Institutes(s): Conjunctions |
Meta: Type(s): General | Subject(s): Awards,Division of Languages and Literature,Literature Program,Written Arts Program | Institutes(s): Conjunctions |
Results 1-5 of 5